The Veins of the City has undergone a full transformation. Every chapter has been revised, reimagined, and rewritten to reflect the darker, more atmospheric vision I’ve always had for this story. Expect deeper characters, stronger tension, and a city that breathes just beneath the surface.
This is the version I’m proud to share. Welcome back to Aegirath.
What’s Changed in This New Version of The Veins of the City
Aegirath is now sentient — the city itself is a living, shifting presence that influences everything, from space and time to memory and emotion.
Dorian’s journey is more psychological — expect deeper inner conflict, surreal sequences, and a growing sense of dread as he navigates both the city and himself.
Alexei has been reimagined — he now speaks in cryptic riddles, his presence tied directly to Aegirath. His role is darker, more haunting, and more emotionally charged.
Nikolai is introduced earlier — and plays a stronger role in the story’s tension and mystery, including a developing connection with Dorian.
Romantic tension is sharper — especially between Dorian, Alexei, and Nikolai. There’s more internal conflict, lingering touches, and emotional stakes.
The cathedral is central — it’s no longer just a location, but a portal, a presence, and possibly a mouthpiece for the city itself.
New chapters, new titles, better pacing — several chapters have been renamed, reordered, or completely rewritten for clarity, flow, and tone.
More atmospheric horror — the vibe leans deeper into gothic, uncanny, and dreamlike horror rather than classic jump scares or gore.