in-con-se-quen-ti-al-i-ty (noun). The quality of not being consequential.
There is little more unsettling than a perceived sense of inconsequentiality, except, perhaps, for the embarrassment one feels when one tries to pronounce it.
—From the personal dictionary of Caroline Trent
Caroline was so delighted about being allowed to remain at Seacrest Manor that it wasn't until the following morning that she realized a rather pertinent point: She had no information to share. She knew nothing about Oliver's illegal dealings.
In short, she was useless.
Oh, they hadn't figured that out yet. Blake and James probably thought she had all of Oliver's secrets stored neatly in her brain, but the truth was, she knew nothing. And her "hosts" were going to figure that out soon. And then she'd be right back where she'd started.
The only way to keep from being tossed into the cold was to make herself useful. Perhaps if she helped around the house and garden Blake would let her stay at Seacrest Manor even after he realized that she had nothing to offer the War Office. It wasn't as if she needed a permanent home—just a place to hide for six weeks.
"What to do, what to do," she mumbled to herself, walking aimlessly through the house as she looked for a suitable task. She needed to find a project that would take a long time to complete, something that would require her presence for at least several days, maybe a week. By then she should be able to convince Blake and James that she was a polite and entertaining houseguest.
She strolled into the music room and ran her hand along the smooth wood of the piano. It was a pity she didn't know how to play; her father had always intended to arrange for lessons, but he'd died before he could carry out his plans. And it went without saying that her guardians never bothered to have her meet with an instructor.
She lifted the lid and tapped her finger against one of the ivory keys, smiling at the sound it made. Music somehow brightened the whole morning. Not that her peckings could be called music without gravely insulting scores of great composers, but still, Caroline felt better for having made a little noise.
All she needed now to brighten the day in truth was to get a bit of light into the room. The music room had obviously not been occupied yet this morning, for the drapes were still pulled tightly shut. Or perhaps no one used this room on a regular basis, and they were kept closed to keep the sun off the piano. Never having owned a musical instrument, Caroline couldn't be sure whether too much sunlight could be damaging.
Whatever the case, she decided, one morning's worth of sun couldn't hurt too much, so she strode over to the window and pulled the damask drapes back. When she did, she was rewarded with the most perfectly splendid sight.
Roses. Hundreds of them.
"I didn't realize I was right below my little room," she murmured, opening the window and sticking her head out to look up. These must be the rosebushes she could see from her window.
Closer inspection proved her correct. The bushes were terribly neglected and overgrown, just as she remembered, and she saw a flash of white lodged just out of her reach that looked suspiciously like her little paper bird. She leaned out further to get a better look. Hmmm. She could probably reach it from the outside.
A few minutes later Caroline had her paper bird in her hand and was regarding the rosebushes from the other side. "You are in dire need of pruning," she said aloud. Someone had once told her that flowers responded well to conversation, and she had always taken the advice to heart. It wasn't difficult to talk to flowers when one had guardians like hers. The flowers inevitably compared quite favorably.
YOU ARE READING
Agents Of The Throne : The viscount
Narrativa StoricaWhen Caroline Trent is kidnapped by Blake Ravenscroft, she doesn't even try to elude this dangerously handsome agent of the crown. After all, she's been running from unwanted marriage proposals. Yes, Blake believes she's a notorious spy named Carlot...