Chapter 35

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Friday morning. A small room in the attic of the Palazzo Capponi. Three of the whitewashed walls are bare. On the fourth wall hangs a large thirteenth century Madonna of the Cimabue school, enormous in the little room, her head bent at the signature angle like that of a curious bird, and her almond eyes regarding a small figure asleep beneath the painting.

Dr. Hannibal Lecter, veteran of prison and asylum cots, lies still on this narrow bed, his hands on his chest. Thinking about Y/N. How he longs to see her again, it's almost time for him to return to her and every muscle in his body aches to feel her against him again.

His eyes open and he  is suddenly, completely awake, his dream of his sister Mischa, long dead and digested, running seamlessly into this present waking: danger then, danger now.

Knowing he is in danger did not disturb his sleep any more than killing the pickpocket did.

Dressed for hiss day now, lean and perfectly groomed in his dark silk suit, he turns off the motion sensors at the top of the servants' stairs and comes down into the great spaces of the Palazzo.

Now he is free to move through the vast silence of the palace's many rooms, always a heady freedom to him after so many years of confinement in a basement cell.

Just as the frescoed walls of Santa Croce or the Palazzo Vecchio are suffused with mind, so the air of the Capponi Library thrums with presence for Dr. Lecter as he works at the great wall of pigeonholed manuscripts. He selects rolled parchments, blows dust away, the motes of dust swarming in a ray of sun as though the dead, who now are dust, vie to tell him their fate and his. He works efficiently, but without undue haste, putting a few things in his own portfolio, gathering books and illustrations for his lecture tonight to the studiolo. There are so many things he would have liked to read.

Dr. Lecter opens his laptop computer and, dialing through the University of Milan's criminology department, checks the FBI's home page on the world wide web at www.fbi.gov, as any private citizen can do. The Judiciary Subcommittee hearing on Y/N's abortive drug raid has not been scheduled, he learns. He does not have the access codes he would need to look into his own case file at the FBI. On the most wanted page, his own former countenance looks at him, flanked by a bomber and an arsonist.

Dr. Lecter takes up the bright tabloid from a pile of parchment and looks at the picture of Y/N on the cover, touches her face with his finger. The bright blade appears in his hand as though he had sprouted it to replace his sixth finger. The knife is called a Harpy and it has a serrated blade shaped like a talon. It slices as easily through the National Tattler as it sliced through the Gypsy's femoral artery - the blade was in the gypsy and gone so quickly Dr. Lecter did not even need to wipe it.

Dr. Lecter cuts out the image of Y/N's face and glues it on a piece of blank parchment.

He picks up a pen and, with a fluid ease, draws on the parchment the body of a winged lioness, a griffon with Y/N's face. Beneath it, he writes in his distinctive copperplate. Did you ever think, Y/N, why the philistines don't understand you? It's because you're the answer to samson's riddle: You are the honey in the lion.

Fifteen kilometers away, parked or privacy behind a high stone wall in Impruenta, Carlo Deogracias went over his equipment, while his brother Matteo practiced a series of Judo takedowns on the soft grass with the other two Sardinians, Piero and Tommaso Falcione. Both Falciones were quick and very strong - Piero played briefly with the Cagliari professional soccer team. Tommaso had once studied to be a priest, and he spoke fair English. He prayed with their victims, sometimes.

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