When writing a narrative that argues against polygamy, the approach is distinct from one where polygamy is an unavoidable reality. In a story centered around Mehmal, whether it's Emer or Zaryab Mehmal, the focus is on opposing polygamy, illustrating why it should not take place. In both scenarios, the narrative emphasizes that polygamy is unacceptable because, in my view, love should never be compromised, and emotions should take precedence over societal expectations or traditions that endorse polygamy. The heart of the story lies in the belief that genuine love and emotional well-being are too valuable to be sacrificed in the name of polygamy.
When it comes to marrying for reasons such as lust or the desire for a child, I believe it shouldn't happen, but ultimately, only God knows what is truly right. However, Amarbail takes a different approach. In this story, my perspective as an author shifts. Having written Mehmal and Mehmat, where I consciously chose not to explore the theme of polygamy, Amarbail represents a departure from that approach. Here, I aim to delve into the complexities of polygamy, specifically because my previous narratives did not engage with it. In Amarbail, I wanted to create a story that fully explores the dynamics and consequences of polygamy, offering a new perspective that contrasts with my earlier works.
Amarbail is a story where I want my readers to genuinely connect with and understand each character. My goal is for every character to be relatable and multidimensional, rather than making one character negative to elevate or justify another. Each character should stand on their own, with their own strengths, flaws, and motivations, allowing readers to appreciate the complexity of their interactions without resorting to oversimplified judgments.
I understand that many readers may find the theme of polygamy difficult to accept, and that's perfectly fine. However, this is my story, and I'm choosing to explore this theme in a way that feels true to the narrative I want to tell. To those readers who might struggle with this aspect, I would gently suggest that they may want to skip this story, as it could have a negative impact on them. My intention is not to cause discomfort, but to tell a story that reflects a particular reality, even if it's challenging.
A story where a man falls for or marries two women is a narrative that many of us find difficult to accept. I'm fully aware of this, and that's why I suggest that if this theme doesn't resonate with you, it might be better not to read it. I'm not seeking approval or validation, as I've demonstrated with Mehmal and Mehmat—I don't let criticism affect me.
Writing is my passion, even though I have a demanding job that keeps me extremely busy. Because of this, I may not read most of the comments. I've entrusted my cousin with managing this account, so they'll sometimes upload updates, and occasionally I'll use a VPN to check in myself. This approach allows me to focus on writing my story without being influenced by reader criticism, ensuring I can complete it with a clear mind and creative freedom.
YOU ARE READING
AmarBail
Romance"Zavyar Shah, do you accept Mehrunisa in your Nikkah?" Rumaysa struggled to breathe, her world spinning as she listened. Zavyar took a deep breath, his eyes locking on Mehrunisa, who stood motionless, as if turned to stone. He understood the weight...