I'm often asked why I seldom have parents play a major role in my books. This is an important issue that I believe needs to be discussed.
When I sold my first YA books -- Slumber Party, Weekend, Chain Letter, Last Act -- and spoke to my first three editors, they all told me that they felt parents should not play a major role in teen fiction. Two of those editors were heavyweights in the field: Jean Fiewell at Scholastic and Pat MacDonald at Simon & Schuster. I was new to YA fiction so I took their advice to heart. I figured they must know what they were talking about.
As time went on and I sold lots of books, I was given more freedom to do whatever I wanted. However, I found for the most part the original advice was still sound. I believe, when plotting a YA novel, that it's helps to create a world where your hero or heroine is required to make the major decisions -- which is another way of saying it's better if there are no parents looking over their shoulders.
Sure, I've been accused by critics of creating "Adult-free Universes." I suppose I'm guilty -- to a degree. But I don't make this choice -- now -- because it was something I was told to do back then, or because it makes plotting a novel easier. I do it because, when I think back to when I was a junior and senior in high school, I felt pretty much in control of my world. Granted, my mother and father gave me advice when I asked for it but I didn't ask very often. They gave me a lot of freedom. They didn't even know what I was doing most of the time I was in high school and I grew up okay -- at least I like to think I did. Since my characters are like my children to me, I think it's only fair that I grant them the same freedom I was given at their age.
However, in the book I'm currently writing, the mother plays a major role in the heroine's life. So every book is different, just as every author is different. Write what you've experienced.
YOU ARE READING
Christopher Pike's Writing Advice
Kurgu OlmayanIn 1984, Christopher Pike published a young adult thriller called SLUMBER PARTY. Neither he nor the publishing community realized that this was the beginning of a revolution in the YA genre. That teenagers had been craving an author who didn't tal...