Agnes Grey (Completed)

Chapter XIV - The Rector

The following day was as fine as the preceding one.  Soon after breakfast Miss Matilda, having galloped and blundered through a few unprofitable lessons, and vengeably thumped the piano for an hour, in a terrible humour with both me and it, because her mamma would not give her a holiday, had betaken herself to her favourite places of resort, the yards, the stables, and the dog-kennels; and Miss Murray was gone forth to enjoy a quiet ramble with a new fashionable novel for her companion, leaving me in the schoolroom hard at work upon a water-colour drawing which I had promised to do for her, and which she insisted upon my finishing that day.

At my feet lay a little rough terrier.  It was the property of Miss Matilda; but she hated the animal, and intended to sell it, alleging that it was quite spoiled.  It was really an excellent dog of its kind; but she affirmed it was fit for nothing, and had not even the sense to know its own mistress.

The fact was she had purchased it when but a small puppy, insisting at first that no one should touch it but herself; but soon becoming tired of so helpless and troublesome a nursling, she had gladly yielded to my entreaties to be allowed to take charge of it; and I, by carefully nursing the little creature from infancy to adolescence, of course, had obtained its affections: a reward I should have greatly valued, and looked upon as far outweighing all the trouble I had had with it, had not poor Snap's grateful feelings exposed him to many a harsh word and many a spiteful kick and pinch from his owner, and were he not now in danger of being 'put away' in consequence, or transferred to some rough, stony-hearted master.  But how could I help it?  I could not make the dog hate me by cruel treatment, and she would not propitiate him by kindness.

However, while I thus sat, working away with my pencil, Mrs. Murray came, half-sailing, half-bustling, into the room.

'Miss Grey,' she began,—'dear! how can you sit at your drawing such a day as this?'  (She thought I was doing it for my own pleasure.)  'I wonder you don't put on your bonnet and go out with the young ladies.'

'I think, ma'am, Miss Murray is reading; and Miss Matilda is amusing herself with her dogs.'

'If you would try to amuse Miss Matilda yourself a little more, I think she would not be driven to seek amusement in the companionship of dogs and horses and grooms, so much as she is; and if you would be a little more cheerful and conversable with Miss Murray, she would not so often go wandering in the fields with a book in her hand.  However, I don't want to vex you,' added she, seeing, I suppose, that my cheeks burned and my hand trembled with some unamiable emotion.  'Do, pray, try not to be so touchy—there's no speaking to you else.  And tell me if you know where Rosalie is gone: and why she likes to be so much alone?'

'She says she likes to be alone when she has a new book to read.'

'But why can't she read it in the park or the garden?—why should she go into the fields and lanes?  And how is it that that Mr. Hatfield so often finds her out?  She told me last week he'd walked his horse by her side all up Moss Lane; and now I'm sure it was he I saw, from my dressing-room window, walking so briskly past the park-gates, and on towards the field where she so frequently goes.  I wish you would go and see if she is there; and just gently remind her that it is not proper for a young lady of her rank and prospects to be wandering about by herself in that manner, exposed to the attentions of anyone that presumes to address her; like some poor neglected girl that has no park to walk in, and no friends to take care of her: and tell her that her papa would be extremely angry if he knew of her treating Mr. Hatfield in the familiar manner that I fear she does; and—oh! if you—if any governess had but half a mother's watchfulness—half a mother's anxious care, I should be saved this trouble; and you would see at once the necessity of keeping your eye upon her, and making your company agreeable to—  Well, go—go; there's no time to be lost,' cried she, seeing that I had put away my drawing materials, and was waiting in the doorway for the conclusion of her address.