Two days after Christmas a young man of serious aspect might have been seen entering one of the large churches at L----. Being shown to a seat, he joined in the services with praiseworthy devotion, especially the music, to which he listened with such evident pleasure that a gentleman who sat nearby felt moved to address this appreciative stranger after church.
"Fine sermon today. Ever heard our minister before, sir?" he began, as they went down the aisle together among the last, for the young man had lingered as if admiring the ancient building.
"Very fine. No, sir, I have never had that pleasure. I've often wished to see this old place, and am not at all disappointed. Your choir, too, is unusually good," answered the stranger, glancing up at several bonnets bobbing about behind the half-drawn curtains above.
"Finest in the city, sir. We pride ourselves on our music, and always have the best. People often come for that alone." And the old gentleman looked as satisfied as if a choir of cherubim and seraphim "continually did cry" in his organ loft.
"Who is the contralto? That solo was beautifully sung," observed the younger man, pausing to read a tablet on the wall.
"That is Miss Moore. Been here about a year, and is universally admired. Excellent young lady couldn't do without her. Sings superbly in oratorios. Ever heard her?"
"Never. She came from X, I believe?
"Yes, highly recommended. She was brought up by one of the first families there. Campbell is the name. If you come from X , you doubtless know them."
"I have met them. Good morning." And with bows the gentlemen parted, for at that instant the young man caught sight of a tall lady going down the church steps with a devout expression in her fine eyes and a prayer-book in her hand.
Hastening after her, the serious-minded young man accosted her just as she turned into a quiet street.
"Phebe!"
Only a word, but it wrought a marvelous change, for the devout expression vanished in the drawing of a breath, and the quiet face blossomed suddenly with color, warmth, and "the light that never was on sea or land" as she turned to meet her lover with an answering word as eloquent as his.
"Archie!"
"The year is out today. I told you I should come. Have you forgotten?"
"No I knew you'd come."
"And are you glad?"
"How can I help it?"
"You can't don't try. Come into this little park and let us talk." And drawing her hand through his arm, Archie led her into what to other eyes was a very dismal square, with a boarded-up fountain in the middle, sodden grass plots, and dead leaves dancing in the wintry wind.
But to them it was a summery Paradise, and they walked to and fro in the pale sunshine, quite unconscious that they were objects of interest to several ladies and gentlemen waiting anxiously for their dinner or yawning over the dull books kept for Sunday reading. "Are you ready to come home now, Phebe?" asked Archie tenderly as he looked at the downcast face beside him and wondered why all women did not wear delightful little black velvet bonnets with one deep red flower against their hair.
"Not yet. I haven't done enough," began Phebe, finding it very hard to keep the resolution made a year ago.
"You have proved that you can support yourself, make friends, and earn a name, if you choose. No one can deny that, and we are all getting proud of you. What more can you ask, my dearest?"
YOU ARE READING
Rose in Bloom
General FictionRose in Bloom, by Louisa May Alcott, depicts the story of a nineteenth-century girl, Rose Campbell, finding her way in society. It is Alcott's sequel to Eight Cousins. Cover by the wonderful @ESJohnson.