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I am the Fallen Queen, restored to England's court but not its throne. The carriage wheels clatter against cobblestones as we make our way to Whitehall Palace. Beside me sits Henry Tudor, King of England, a man who once moved heaven and earth to make me his wife, now seeking absolution I cannot give.

He speaks of reconciliation, yet my mind drifts to those I've lost. My brother and dear friend sacrificed to appease his jealousy and Cromwell's machinations. Their ghosts haunt these roads we travel, demanding justice—I must have patience to be exact. Even Jane Seymour, who surely expected a crown by now, must seethe with quiet rage alongside her ambitious family.

The stench of Henry's festering leg wound fills the carriage, a putrid reminder of his mortality. My stomach turns—from the smell or from fear, I cannot say. Yet I know I must endure. Without my guidance, the reformation falters. Henry would revert to Rome's puppet, dancing to the Pope's tune while Charles Brandon whispers poison in his ear.

Through the carriage window, I glimpse the common folk who line the streets. Their cheers bolster my resolve—they remember their true queen, even if I now bear only the title of Marquess of Pembroke. My influence may be diminished, but it is not extinguished.

Two tasks lie before me: to reconcile with Mary Tudor, that stubborn girl who bears her father's temperament, and to reclaim my Elizabeth, my precious child kept from me too long. But Henry's honeyed words cannot mask his true purpose. He seeks not my love but my womb, still hoping for the son that eluded us before.

As we arrive at Whitehall, the king's final warning hangs heavy in the air. His courtesy is thin ice over deep waters. One misstep, and I shall plunge into the depths of his disfavor once more. In this court of vipers, I must learn to dance anew—more carefully this time, but dance I must.

 In this court of vipers, I must learn to dance anew—more carefully this time, but dance I must

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𝓣𝓱𝓮 𝓦𝓸𝓻𝓭𝓼 𝓞𝓯 𝓘𝓷𝓷𝓸𝓬𝓮𝓷𝓬𝓮Where stories live. Discover now