They passed through the same rooms which the prince had traversed on his arrival. In the largest there were pictures on the walls, portraits and landscapes of little interest. Over the door, however, there was one of strange and rather striking shape; it was six or seven feet in length, and not more than a foot in height. It represented the Saviour just taken from the cross.
The prince glanced at it, but took no further notice. He moved on hastily, as though anxious to get out of the house. But Rogojin suddenly stopped underneath the picture.
"My father picked up all these pictures very cheap at auctions, and so on," he said; "they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week."
"Yes-that's a copy of a Holbein," said the prince, looking at it again, "and a good copy, too, so far as I am able to judge. I saw the picture abroad, and could not forget it-what's the matter?"
Rogojin had dropped the subject of the picture and walked on. Of course his strange frame of mind was sufficient to account for his conduct; but, still, it seemed queer to the prince that he should so abruptly drop a conversation commenced by himself. Rogojin did not take any notice of his question.
"Lef Nicolaievitch," said Rogojin, after a pause, during which the two walked along a little further, "I have long wished to ask you, do you believe in God?"
"How strangely you speak, and how odd you look!" said the other, involuntarily.
"I like looking at that picture," muttered Rogojin, not noticing, apparently, that the prince had not answered his question.
"That picture! That picture!" cried Muishkin, struck by a sudden idea. "Why, a man's faith might be ruined by looking at that picture!"
"So it is!" said Rogojin, unexpectedly. They had now reached the front door.
The prince stopped.
"How?" he said. "What do you mean? I was half joking, and you took me up quite seriously! Why do you ask me whether I believe in God?"
"Oh, no particular reason. I meant to ask you before-many people are unbelievers nowadays, especially Russians, I have been told. You ought to know-you've lived abroad."
Rogojin laughed bitterly as he said these words, and opening the door, held it for the prince to pass out. Muishkin looked surprised, but went out. The other followed him as far as the landing of the outer stairs, and shut the door behind him. They both now stood facing one another, as though oblivious of where they were, or what they had to do next.
"Well, good-bye!" said the prince, holding out his hand.
"Good-bye," said Rogojin, pressing it hard, but quite mechanically.
The prince made one step forward, and then turned round.
"As to faith," he said, smiling, and evidently unwilling to leave Rogojin in this state-"as to faith, I had four curious conversations in two days, a week or so ago. One morning I met a man in the train, and made acquaintance with him at once. I had often heard of him as a very learned man, but an atheist; and I was very glad of the opportunity of conversing with so eminent and clever a person. He doesn't believe in God, and he talked a good deal about it, but all the while it appeared to me that he was speaking outside the subject. And it has always struck me, both in speaking to such men and in reading their books, that they do not seem really to be touching on that at all, though on the surface they may appear to do so. I told him this, but I dare say I did not clearly express what I meant, for he could not understand me.
YOU ARE READING
The Idiot
Historical FictionThe Idiot By Foydor Dostoevsky , Dostoevsky produced this masterpiece just two years after completing Crime and Punishment. In it, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conq...