Queen: The Greatest Legend Lives Forever

Radio Ga Ga

I'd sit alone and watch your light
My only friend through teenage nights
And everything I had to know
I heard it on my radio
You gave them all those old time stars
Through wars of worlds invaded by Mars
You made 'em laugh, you made 'em cry
You made us feel like we could fly
So don't become some background noise
A backdrop for the girls and boys
Who just don't know or just don't care
And just complain when you're not there
You had your time, you had the power
You've yet to have your finest hour
Radio, everybody!
All we hear is radio ga ga
Radio goo goo
Radio ga ga
All we hear is radio ga ga
Radio blah blah
Radio, what's new?
Radio, someone still loves you
We watch the shows, we watch the stars
On videos for hours and hours
We hardly need to use our ears
How music changes through the years
Let's hope you never leave, old friend
Like all good things, on you we depend
So stick around 'cause we might miss you
When we grow tired of all this visual
You had your time, you had the power

You've yet to have your finest hour
Radio
All we hear is radio ga ga

Radio goo goo
Radio ga ga
All we hear is radio ga ga
Radio goo goo
Radio ga ga
All we hear is radio ga ga
Radio blah blah
Radio, what's new?
Someone still loves you
You had your time, you had the power
You've yet to have your finest hour
Radio

~•~•~•~•👑•~•~•~•~

♪ Song fact: Queen drummer Roger Taylor wrote this song. When it charted, all four members of the group had written at least one Top 10 hit either in the US or UK. Roger Taylor wrote this as a critique of radio stations, which were becoming commercialized and playing the same songs over and over (and this was before radio was deregulated, allowing companies to own multiple stations in a market, resulting in more corporate ownership, less competition and generally bad radio). Taylor claimed that he was inspired to write this after watching MTV. He noticed that lots of kids were watching the channel instead of listening to the radio. The video is based on the 1926 movie Metropolis, directed by Fritz Lang. Queen had to pay the German government to use clips of it in the video. A number of electronic devices were used on this song, including a LinnDrum drum machine and at least three synthesizers: a Roland Jupiter 8, a Fairlight CMI and an Oberheim OB-Xa. Roger Taylor also added some Simmons electronic drums. Roland VP-330 vocoder was used to create the robotic vocals. Originally, this was "Radio Ca-Ca," which was something Roger Taylor's part-French son Felix exclaimed one day in trying to say the radio was bad ("radio, CACA!). The phrase stuck with Taylor and inspired the anti-commercial radio themes in the lyrics. Taylor liked the title, but the rest of the group objected and asked for a re-write. As a result, it went from a song condemning radio ("Ca-Ca") to praising it ("Ga Ga"). Interestingly however, even in the final recorded version, the phrase "Ca-Ca" is present - maybe as a compromise for Taylor?
Queen stole the show at Live-Aid when Freddie Mercury, battling laryngitis, got everybody in Wembley Stadium singing the chorus of this song. The extras in the video got the clapping sequence right on the first try, but it took practice for the members of Queen to get it down. Director David Mallet was surprised the extras picked up the routine so easily, considering they'd never heard the song, which hadn't yet been released. The rock band Electric Six recorded this on their 2005 album Señor Smoke. In the video, their lead singer Dick Valentine is shown as the ghost of Freddie Mercury appearing in front of his grave, which caused controversy amongst Queen fans. Valentine was quick to stress that it was meant in tribute, not to denigrate the group - the band were massive Queen fans. Lady Gaga took her name from this song. Born Stefani Germanotta, she started using the moniker when she needed a stage name. Who came up with the name is a matter of dispute, as her former producer Rob Fusari claims that he originated it, while the singer says it was given to her by her co-workers in her burlesque days. When director David Mallet was coming up with the concept for the music video, he wanted to stray from the usual performance pieces full of guitar solos and drum fills. "And even [guitarist] Brian May agreed to that," Mallet told the documentary series Video Killed the Radio Star. Freddie Mercury suggested the Metropolis concept, but Mallet wanted to make sure the band still played a key role in the clip. "So we built that funny car and them flying through the air, and used the wide shots from Metropolis ... All I was trying to do is find some way of fitting Metropolis into a different setting, and I thought, what if we make the whole video a period - wartime, for instance, or semi-wartime, and it would tie it all together. And it did."
Some critics feel the choreography in the hand-clapping scene is a reference to Nazis, an idea that Mallet dismisses: "It didn't really have any bearing on Nazi rallies at all." Roger Taylor added: "That section was meant to sort of portray the mind control of the workers in the movie Metropolis."
An extended version was released as a 12" single at the same time.