Queen: The Greatest Legend Lives Forever

Under Pressure

Mmm num ba de
Dum bum ba be
Doo buh dum ba beh beh
Pressure pushing down on me
Pressing down on you, no man ask for
Under pressure that burns a building down
Splits a family in two
Puts people on streets
Um ba ba be
Um ba ba be
De day da
Ee day da, that's okay
It's the terror of knowing what the world is about
Watching some good friends screaming
"Let me out!"
Pray tomorrow gets me higher
Pressure on people, people on streets
Day day de mm hm
Da da da ba ba
Okay
Chipping around, kick my brains around the floor
These are the days it never rains but it pours
Ee do ba be
Ee da ba ba ba
Um bo bo
Be lap
People on streets
Ee da de da de
People on streets
Ee da de da de da de da
It's the terror of knowing what the world is about
Watching some good friends screaming
'Let me out'
Pray tomorrow gets me higher, high
Pressure on people, people on streets
Turned away from it all like a blind man
Sat on a fence but it don't work
Keep coming up with love but it's so slashed and torn
Why, why, why?
Love, love, love, love, love
Insanity laughs under pressure we're breaking
Can't we give ourselves one more chance?
Why can't we give love that one more chance?
Why can't we give love, give love, give love, give love
Give love, give love, give love, give love, give love?
'Cause love's such an old fashioned word
And love dares you to care for
The people on the edge of the night
And love (people on streets) dares you to change our way of
Caring about ourselves
This is our last dance
This is our last dance
This is ourselves under pressure
Under pressure
Pressure

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♪ Song fact: A collaboration with David Bowie, this is credited to "Queen with David Bowie" because the B-side of the single is Queen's "Soul Brother." It was recorded at an impromptu session in Montreaux, Switzerland in the summer of 1981. According to Queen bass player John Deacon, Freddie Mercury did most of the songwriting on this, although everyone contributed. The lyrics deal with how pressure can destroy lives, but love can be the answer. The lyrics are characteristic of Mercury's songwriting. Deacon however did come up with the iconic two-note bass riff, although it came very close to vanishing: according to Roger Taylor in the Days of our Lives documentary, Deacon came up with the riff, then the band went for pizza before coming back to continue rehearsals. Upon returning, Deacon had completely forgotten his idea! Luckily, Taylor eventually remembered how the bassline went. Brian May recalled to Mojo magazine October 2008. "It was hard, because you had four very precocious boys and David, who was precocious enough for all of us. David took over the song lyrically. Looking back, it's a great song but it should have been mixed differently. Freddie and David had a fierce battle over that." May adds to this feeling of the sessions being fairly strained in a further interview for the Days of our Lives documentary, where he notes that "suddenly you've got this other person inputting, inputting, inputting... he (David) had a vision in his head, and it's quite a difficult process and someone has to back off... and eventually I did back off, which is unusual for me." In the US, this was on Queen's Greatest Hits album and released as a single at the same time. It was not released on a UK album until six months later, when it was included on Hot Space.
This was only the second UK #1 hit for Queen. They hit #2 with "Crazy Little Thing Called Love," "We Are The Champions," "Somebody To Love," and "Killer Queen," but their only previous #1 in England was "Bohemian Rhapsody." Reinhold Mack, who did production work on the Hot Space album, told an amusing story about the vocal recording for "Under Pressure," where one of the two singers would record their improvised vocals with the other being locked out so they couldn't hear what the other was doing. Said Mack: "Freddie is doing all his bits and pieces and I see out of the corner of my eye David sticking his head in and listening. Then Fred came down and David went up, and Fred was quite impressed how David was counterpointing to what he (Freddie) had done before. Fred said 'what do you make of this?' and I said 'Well, it's kinda easy if you stand in the doorway and listen!'" At which point Freddie apparently had some choice words for David! According to a 2017 Mojo interview with Brian May, Freddie and David "locked horns" in the studio. Asked to elaborate, the Queen guitarist replied: "In subtle ways, like who would arrive last at the studio. So it was sort of wonderful and terrible. But in my mind I remember the wonderful now, more than the terrible." The two singers first met a dozen years before they recorded the song. In 1969, Freddie Mercury fitted David Bowie for a pair of boots during his day job working on a boot stall in Kensington Market.