If These Walls Could Talk

"Alucard"

"'Alucard', they called me. The opposite of you. Mother never liked that. Did you know that? She hated the idea that I might define myself by you. Even in opposition to you. She loved us both. Enough that she wanted us to be our own people. Living our own lives. Making our own choices."

******

The castle doesn't like it when Adrian leaves.

Adrian is a child of both worlds, so he must walk in the day every once and a while. He cannot stay in the castle, in the night, forever; he must travel outside the room, feel the sunlight without the glass. He must understand his mother's people; his human half. A glass half full is a glass half empty, and he understands his duty to fill in the blanks where humanity is supposed to be.

Castlevania is unsure. Afraid, perhaps. It does not know much of humanity...but it does know that their blood tastes sweet, their words sound sour, their hands feel bitter. It knows they are not likely to treat the son of the vampire king with kindness.

It knows of only one human whose touch and words are sweet without taste.

If his mother can be kind... is it possible other humans can be too? Or does being a mother simply necessitate kindness? Is it possible there is more to them than sour speech and the bitter fists? That they are more than just something to fill its master's appetite and quiet his boredom?

Lisa tells them all so. She gathers her family in the room, and tells them stories of knights and heroes, witches and villains. Of good kings, and evil priests. Of good gods, and evil queens. Of demons and zombies and the heroes who rose up against them—(and maybe Adrian can be one of them, some day). Of people who have nothing but manage to change the world anyways. Of people who have everything but are empty all the same—(that one started to sound a little too familiar). And not all of the stories are read out of books. Some are real, were history. Some she'd even seen herself. Some were told to her. She said she heard some of the most wonderful ones from a Speaker once. She even made some up. Until Adrian himself formed stories when she wasn't there to tell them.

Dracula looks out the window at the rain, chuckles to himself at the fact that too many of her stories end happily...but something deep inside his eyes is trying, trying to believe her. To believe there's truth to these stories, even those she made up. To let the light in her eyes flow into his. He tries to make up his own stories too, sometimes. But the darkness in his presence does its best to swallow the light in her words.

Adrian snuggles up beside her and the gleam in her eyes reflects in his without a second's resistance. Enough that after a childhood of listening to these stories, begging for his parents to take him outside, he can barely wait to experience it himself.

That's not to say he never left. She took him out on little trips, letting him take bites of the world out there. Each time he came back with treasures—(well what he considered treasures)—in his hands, and a grin secured firmly to his face, and he'd ask with voice bright and fast as a hummingbird, where they'd go out next, and how long he'd have to wait. Even his father took him out to the enchanted forests and grottos of the world for lessons, but always made sure they were the deepest, most well-kept secrets of the world, where no human would find them.

Well, most of the time. There were times when he came back with tears in his eyes. He'd ask What's a 'monster'?, and his father would lean down, put his hand on his cheek, and say Definitely not you. Lisa would plead or argue with her husband, but when Dracula would leave, the moon would turn red, and he'd remember what blood tasted like.

But this is different. This isn't some day trip to come back with trinkets, some night lesson to come back with knowledge. The time it's stretched out, and stretching them thin.