MYTHOLOGY

Hera

Queen of the gods and goddess of marriage, women, childbirth, heirs, kings, and empires. She is the wife and sister of Zeus and daughter of Cronus and Rhea. She was usually depicted as a regal woman in the prime of her life, wearing a diadem and veil and holding a lotus-tipped staff. Although she was the goddess of marriage, Zeus's many infidelities drive her to jealousy and vengefulness. One Iconic affair was one he had with Alcmene, which bore him a son, Heracles (Hercules). There are several versions with one being that she sent snakes to kill Heracles and another where she adopts him and nurses him. Her sacred animals are the heifer, the peacock, and the cuckoo. In Rome she was known as Juno.

Abode Mount Olympus
Symbol Pomegranate, Peacock feather, Diadem, Cow, lily, lotus, cuckoo, panther, scepter, throne, lion
Consort Zeus
Parents Cronus and Rhea
Siblings Poseidon, Hades, Demeter, Hestia, and Zeus
Children Ares, Enyo, Hebe, Eileithyia, Hephaestus, and Eris
Mount Chariot drawn by peacocks
Roman equivalent Juno

Hera is the wife and one of three sisters of Zeus in the Olympian pantheon of Greek mythology and religion. Her chief function was as the goddess of women and marriage. Her counterpart in the religion of ancient Rome was Juno.[1] The cow, lion and the peacock were considered sacred to her. Hera's mother is Rhea and her father Cronus.

Portrayed as majestic and solemn, often enthroned, and crowned with the polos (a high cylindrical crown worn by several of the Great Goddesses), Hera may bear a pomegranate in her hand, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy.[2] Scholar of Greek mythology Walter Burkert writes in Greek Religion, "Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos."[3]

Hera was known for her jealous and vengeful nature against Zeus's lovers and offspring, but also against mortals who crossed her, such as Pelias. Paris also earned Hera's hatred by choosing Aphrodite as the most beautiful goddess.
The name of Hera admits a variety of mutually exclusive etymologies; one possibility is to connect it with Greek ὥρα hōra, season, and to interpret it as ripe for marriage and according to Plato ἐρατή eratē, "beloved"[4] as Zeus is said to have married her for love.[5] According to Plutarch, Hera was an allegorical name and an anagram of aēr (ἀήρ, "air").[6] So begins the section on Hera in Walter Burkert's Greek Religion.[7] In a note, he records other scholars' arguments "for the meaning Mistress as a feminine to Heros, Master." John Chadwick, a decipherer of Linear B, remarks "her name may be connected with hērōs, ἥρως, 'hero', but that is no help, since it too is etymologically obscure."[8] A. J. van Windekens,[9] offers "young cow, heifer", which is consonant with Hera's common epithet βοῶπις (boōpis, "cow-eyed"). R. S. P. Beekes has suggested a Pre-Greek origin.[10] Her name is attested in Mycenaean Greek written in the Linear B syllabic script as 𐀁𐀨, e-ra, appearing on tablets found in Pylos and Thebes.[11]

Hera may have been the first to whom the Greeks dedicated an enclosed roofed temple sanctuary, at Samos about 800 BCE. It was replaced later by the Heraion, one of the largest Greek temples anywhere (Greek altars were in front of the temples, under the open sky). There were many temples built on this site so evidence is somewhat confusing and archaeological dates are uncertain.

We know that the temple created by the Rhoecus sculptors and architects was destroyed between 570- 60 BCE. This was replaced by the Polycratean temple 540-530 BCE. In one of these temples we see a forest of 155 columns. There is also no evidence of tiles on this temple suggesting either the temple was never finished or that the temple was open to the sky.

Earlier sanctuaries, whose dedication to Hera is less secure, were of the Mycenaean type called "house sanctuaries".[12] Samos excavations have revealed votive offerings, many of them late 8th and 7th centuries BCE, which show that Hera at Samos was not merely a local Greek goddess of the Aegean: the museum there contains figures of gods and suppliants and other votive offerings from Armenia, Babylon, Iran, Assyria, Egypt, testimony to the reputation which this sanctuary of Hera enjoyed and to the large influx of pilgrims. Compared to this mighty goddess, who also possessed the earliest temple at Olympia and two of the great fifth and sixth century temples of Paestum, the termagant of Homer and the myths is an "almost...comic figure" according to Burkert.[13]