Tantrika Stories

There are stories people tell their children so they will behave, and then there are stories people refuse to tell at all. In the mountains, they still whisper of a woman who could speak to the dead. They called her cursed. They called her a witch. They killed her for what she could see. Her daughter survived. Years later, Maria lives alone among the trees, carrying the same strange gift her mother died for. Quiet, sharp and fiercely guarded, she knows the old rituals and the names of spirits that most people have long forgotten. She has spent years trying to leave her mother's shadow behind. Then a royal messenger finds her. And far from the mountains, another strange man is being dragged into the same mystery. Elixar was found half-dead in a forest years ago and taken in by a reclusive monk. He remembers almost nothing of the life he had before, but he can see the dead, and the dead seem remarkably fond of finding him. Aloof, infuriatingly careless and far more capable than he lets anyone believe, Elixar wants nothing to do with kings, curses or ancient gods. Unfortunately, the King does not give him a choice. When a series of mysterious deaths begins to tear through the royal family, King Yeongju summons Maria and Elixar to the palace. What begins as an investigation into a seemingly ordinary curse soon leads them toward forgotten temples, forbidden rituals and a history the royal family has spent generations burying. Something ancient has awakened. Something that remembers. And the deeper Maria and Elixar venture into the palace's secrets, the more they begin to realize that the dead are not simply haunting the kingdom. They are waiting for someone to remember why they died.

En el Siglo 8,000 A.C, existió una antigua civilización tántrica de cuyo paso por la tierra, existen aún rastros arquitectónicos. Ahí las hermosas Blanca, Pupa y Nora, vivían en armonía. Ofrendando cultos a la Diosa, Madre de todas las cosas, Madre del más puro amor universal: el ÉXTASIS. Esta civilización se extinguió en manos de las más crueles castas, más no sin dejar el legado de s historia, y un séquito de fieles seguidores de la senda de la mano izquierda.

″Don't be afraid of becoming your highest light and deepest love. Trust and follow. In freeing yourself, you will free the others.″ A fire fairy butterfly, spirit and keeper of the flames, offers the young woman Ayana to follow the calling of her inner prophecy to become a High Priestess of Sanuela. Will she be able to let go of her fears, develop her energetic healing abilities and take on the responsibility to create beautiful visions of love for the good of Sanuela?

In 18th century Bengal, he was never meant to belong anywhere. Born XXY, rejected at eighteen, and taken into a hijra community, Ishan Dutta learns that survival means existing in the spaces people don't know how to name. He doesn't expect attention. He doesn't seek permanence. Until her. A wandering Tantrika, Kankali Sen, arrives like a rumor the village can't decide is blessing or omen. She is not gentle. She is not predictable. And she looks at him like he is something she has already decided to understand. Ishan has spent his whole life being observed. But for the first time... He is being seen. And he doesn't know what scares him more: - that she stays or - that he might want her to. --- ⚠️ Content Warnings Themes of identity exploration and gender perception Psychological introspection and internal emotional conflict Mild body-related insecurity and discomfort (non-graphic) Social stigma and casual discriminatory remarks Protective violence (non-graphic, brief depiction) Emotional attachment / evolving relationship dynamics Slow-burn intimacy and romantic/physical tension (non-explicit) Themes of mobility, nomadic lifestyle, and instability vs belonging Spiritual / ritual practices and Tantric elements (non-graphic, cultural/spiritual context) Brief depictions of confrontation and verbal hostility