Elite Affairs - Book one

Chapter Eight

"Love is accepting and cherishing someone for who they are, flaws and all."

"Welcome back, class. Today, we're going to explore the fascinating world of Roman art. As we discussed earlier, Roman art was heavily influenced by Greek art, but it also developed its own unique style and characteristics.

"Let's take a look at this image of the Augustus of Prima Porta. Notice the intricate details and realistic depiction of the emperor Augustus. This sculpture is a prime example of Roman portraiture, which aimed to capture the likeness and character of the subject. Augustus, as the first emperor of Rome, was often depicted in art to reinforce his power and authority.

"Now, let's move on to architecture. The Romans were master builders, and their structures continue to inspire awe today. The Colosseum, for instance, is an iconic symbol of Roman engineering and design. Its sheer scale and complexity are a testament to the advanced skills of Roman architects.

"But Roman art wasn't just about grandeur and monumentality. Mosaics, like the Alexander Mosaic, showcase the attention to detail and artistic skill of Roman craftsmen. These intricate designs were used to decorate floors, walls, and ceilings, adding beauty and elegance to public and private spaces.

"As we continue our exploration of Roman art, keep in mind the cultural and historical context in which these works were created. Roman art reflects the values, beliefs, and aspirations of the Roman people, offering a unique window into their civilization."

The teacher pauses, surveying the room to ensure students are engaged and taking notes. "Now, let's open the floor for questions and discussion" Père Morris gaze swept across the room, his eyes landed on Léon, his grey eyes fixed intently on the image of the Augustus of Prima Porta projected on the screen. His stare was unyielding, his gaze piercing the very soul of the ancient sculpture.

"Léon, can you tell me why the Romans placed such emphasis on realistic depictions of their subjects?" He asked, his voice barely above a whisper.

Léon's gaze never wavered, his grey eyes still locked on the image as he replied in a low, even tone, "The Romans understood that verisimilitude is a more effective tool for propaganda than idealization. By presenting their leaders in a realistic light, they aimed to create a sense of familiarity, thereby reinforcing their authority."

The teacher's eyes narrowed, his lips pursing in a mixture of fascination and frustration. "I see," he said, his voice laced with a hint of disappointment. "And what about the use of symbolism in Roman art? Can you give me an example?"

Léon's gaze remained steady, his grey eyes still fixed on the image as he replied, "The eagle. A symbol of power, control, and dominance. The Romans wielded it like a weapon, crushing dissent and opposition beneath its wings." His words were a cold, calculated analysis, devoid of emotion or passion.

The teacher's questions grew more probing, but Léon's responses remained as detached as a scientist examining a specimen under a microscope. His grey eyes never left the image, his gaze burning with an intensity that made the teacher shiver.

Père Morris's eyes narrowed, his voice firm but measured. "Léon, I know you're capable of great insight. Tell me, how did the Romans use art to shape their political ideology?"

Léon's expression remained impassive, his grey eyes fixed on the image before him. "They employed art as a tool for social control, propagating their values and ideals through visual narratives."

Père Morris pressed on, his eyes searching for a glimmer of emotion. "And what of the role of architecture in Roman art? How did it contribute to their political agenda?"