The commissary of police, as he traversed the ante-chamber, made a sign to two gendarmes, who placed themselves one on Dantes' right and the other on his left. A door that communicated with the Palais de Justice was opened, and they went through a long range of gloomy corridors, whose appearance might have made even the boldest shudder. The Palais de Justice communicated with the prison,—a sombre edifice, that from its grated windows looks on the clock-tower of the Accoules. After numberless windings, Dantes saw a door with an iron wicket. The commissary took up an iron mallet and knocked thrice, every blow seeming to Dantes as if struck on his heart. The door opened, the two gendarmes gently pushed him forward, and the door closed with a loud sound behind him. The air he inhaled was no longer pure, but thick and mephitic,—he was in prison. He was conducted to a tolerably neat chamber, but grated and barred, and its appearance, therefore, did not greatly alarm him; besides, the words of Villefort, who seemed to interest himself so much, resounded still in his ears like a promise of freedom. It was four o'clock when Dantes was placed in this chamber. It was, as we have said, the 1st of March, and the prisoner was soon buried in darkness. The obscurity augmented the acuteness of his hearing; at the slightest sound he rose and hastened to the door, convinced they were about to liberate him, but the sound died away, and Dantes sank again into his seat. At last, about ten o'clock, and just as Dantes began to despair, steps were heard in the corridor, a key turned in the lock, the bolts creaked, the massy oaken door flew open, and a flood of light from two torches pervaded the apartment. By the torchlight Dantes saw the glittering sabres and carbines of four gendarmes. He had advanced at first, but stopped at the sight of this display of force.
"Are you come to fetch me?" asked he.
"Yes," replied a gendarme.
"By the orders of the deputy procureur?"
"I believe so." The conviction that they came from M. de Villefort relieved all Dantes' apprehensions; he advanced calmly, and placed himself in the centre of the escort. A carriage waited at the door, the coachman was on the box, and a police officer sat beside him.
"Is this carriage for me?" said Dantes.
"It is for you," replied a gendarme.
Dantes was about to speak; but feeling himself urged forward, and having neither the power nor the intention to resist, he mounted the steps, and was in an instant seated inside between two gendarmes; the two others took their places opposite, and the carriage rolled heavily over the stones.
The prisoner glanced at the windows—they were grated; he had changed his prison for another that was conveying him he knew not whither. Through the grating, however, Dantes saw they were passing through the Rue Caisserie, and by the Rue Saint-Laurent and the Rue Taramis, to the port. Soon he saw the lights of La Consigne.
The carriage stopped, the officer descended, approached the guardhouse, a dozen soldiers came out and formed themselves in order; Dantes saw the reflection of their muskets by the light of the lamps on the quay.
"Can all this force be summoned on my account?" thought he.
The officer opened the door, which was locked, and, without speaking a word, answered Dantes' question; for he saw between the ranks of the soldiers a passage formed from the carriage to the port. The two gendarmes who were opposite to him descended first, then he was ordered to alight and the gendarmes on each side of him followed his example. They advanced towards a boat, which a custom-house officer held by a chain, near the quay.
The soldiers looked at Dantes with an air of stupid curiosity. In an instant he was placed in the stern-sheets of the boat, between the gendarmes, while the officer stationed himself at the bow; a shove sent the boat adrift, and four sturdy oarsmen impelled it rapidly towards the Pilon. At a shout from the boat, the chain that closes the mouth of the port was lowered and in a second they were, as Dantes knew, in the Frioul and outside the inner harbor.
YOU ARE READING
The Count of Monte Cristo (1845) (Completed)
Classics"The Count of Monte Cristo" focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment. However, his plans have devastating consequences for the innoc...