It was really the Count of Monte Cristo who had just arrived at Madame de Villefort's for the purpose of returning the procureur's visit, and at his name, as may be easily imagined, the whole house was in confusion. Madame de Villefort, who was alone in her drawing-room when the count was announced, desired that her son might be brought thither instantly to renew his thanks to the count; and Edward, who heard this great personage talked of for two whole days, made all possible haste to come to him, not from obedience to his mother, or out of any feeling of gratitude to the count, but from sheer curiosity, and that some chance remark might give him the opportunity for making one of the impertinent speeches which made his mother say,—"Oh, that naughty child! But I can't be severe with him, he is really so bright."
After the usual civilities, the count inquired after M. de Villefort. "My husband dines with the chancellor," replied the young lady; "he has just gone, and I am sure he'll be exceedingly sorry not to have had the pleasure of seeing you before he went." Two visitors who were there when the count arrived, having gazed at him with all their eyes, retired after that reasonable delay which politeness admits and curiosity requires. "What is your sister Valentine doing?" inquired Madame de Villefort of Edward; "tell some one to bid her come here, that I may have the honor of introducing her to the count."
"You have a daughter, then, madame?" inquired the count; "very young, I presume?"
"The daughter of M. de Villefort by his first marriage," replied the young wife, "a fine well-grown girl."
"But melancholy," interrupted Master Edward, snatching the feathers out of the tail of a splendid parroquet that was screaming on its gilded perch, in order to make a plume for his hat. Madame de Villefort merely cried,—"Be still, Edward!" She then added,—"This young madcap is, however, very nearly right, and merely re-echoes what he has heard me say with pain a hundred times; for Mademoiselle de Villefort is, in spite of all we can do to rouse her, of a melancholy disposition and taciturn habit, which frequently injure the effect of her beauty. But what detains her? Go, Edward, and see."
"Because they are looking for her where she is not to be found."
"And where are they looking for her?"
"With grandpapa Noirtier."
"And do you think she is not there?"
"No, no, no, no, no, she is not there," replied Edward, singing his words.
"And where is she, then? If you know, why don't you tell?"
"She is under the big chestnut-tree," replied the spoiled brat, as he gave, in spite of his mother's commands, live flies to the parrot, which seemed keenly to relish such fare. Madame de Villefort stretched out her hand to ring, intending to direct her waiting-maid to the spot where she would find Valentine, when the young lady herself entered the apartment. She appeared much dejected; and any person who considered her attentively might have observed the traces of recent tears in her eyes.
Valentine, whom we have in the rapid march of our narrative presented to our readers without formally introducing her, was a tall and graceful girl of nineteen, with bright chestnut hair, deep blue eyes, and that reposeful air of quiet distinction which characterized her mother. Her white and slender fingers, her pearly neck, her cheeks tinted with varying hues reminded one of the lovely Englishwomen who have been so poetically compared in their manner to the gracefulness of a swan. She entered the apartment, and seeing near her stepmother the stranger of whom she had already heard so much, saluted him without any girlish awkwardness, or even lowering her eyes, and with an elegance that redoubled the count's attention. He rose to return the salutation. "Mademoiselle de Villefort, my daughter-in-law," said Madame de Villefort to Monte Cristo, leaning back on her sofa and motioning towards Valentine with her hand. "And M. de Monte Cristo, King of China, Emperor of Cochin-China," said the young imp, looking slyly towards his sister.
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The Count of Monte Cristo (1845) (Completed)
Classics"The Count of Monte Cristo" focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment. However, his plans have devastating consequences for the innoc...