Franz had so managed his route, that during the ride to the Colosseum they passed not a single ancient ruin, so that no preliminary impression interfered to mitigate the colossal proportions of the gigantic building they came to admire. The road selected was a continuation of the Via Sistina; then by cutting off the right angle of the street in which stands Santa Maria Maggiore and proceeding by the Via Urbana and San Pietro in Vincoli, the travellers would find themselves directly opposite the Colosseum. This itinerary possessed another great advantage,—that of leaving Franz at full liberty to indulge his deep reverie upon the subject of Signor Pastrini's story, in which his mysterious host of Monte Cristo was so strangely mixed up. Seated with folded arms in a corner of the carriage, he continued to ponder over the singular history he had so lately listened to, and to ask himself an interminable number of questions touching its various circumstances without, however, arriving at a satisfactory reply to any of them. One fact more than the rest brought his friend "Sinbad the Sailor" back to his recollection, and that was the mysterious sort of intimacy that seemed to exist between the brigands and the sailors; and Pastrini's account of Vampa's having found refuge on board the vessels of smugglers and fishermen, reminded Franz of the two Corsican bandits he had found supping so amicably with the crew of the little yacht, which had even deviated from its course and touched at Porto-Vecchio for the sole purpose of landing them. The very name assumed by his host of Monte Cristo and again repeated by the landlord of the Hotel de Londres, abundantly proved to him that his island friend was playing his philanthropic part on the shores of Piombino, Civita-Vecchio, Ostia, and Gaeta, as on those of Corsica, Tuscany, and Spain; and further, Franz bethought him of having heard his singular entertainer speak both of Tunis and Palermo, proving thereby how largely his circle of acquaintances extended.
But however the mind of the young man might be absorbed in these reflections, they were at once dispersed at the sight of the dark frowning ruins of the stupendous Colosseum, through the various openings of which the pale moonlight played and flickered like the unearthly gleam from the eyes of the wandering dead. The carriage stopped near the Meta Sudans; the door was opened, and the young men, eagerly alighting, found themselves opposite a cicerone, who appeared to have sprung up from the ground, so unexpected was his appearance.
The usual guide from the hotel having followed them, they had paid two conductors, nor is it possible, at Rome, to avoid this abundant supply of guides; besides the ordinary cicerone, who seizes upon you directly you set foot in your hotel, and never quits you while you remain in the city, there is also a special cicerone belonging to each monument—nay, almost to each part of a monument. It may, therefore, be easily imagined there is no scarcity of guides at the Colosseum, that wonder of all ages, which Martial thus eulogizes: "Let Memphis cease to boast the barbarous miracles of her pyramids, and the wonders of Babylon be talked of no more among us; all must bow to the superiority of the gigantic labor of the Caesars, and the many voices of Fame spread far and wide the surpassing merits of this incomparable monument."
As for Albert and Franz, they essayed not to escape from their ciceronian tyrants; and, indeed, it would have been so much the more difficult to break their bondage, as the guides alone are permitted to visit these monuments with torches in their hands. Thus, then, the young men made no attempt at resistance, but blindly and confidingly surrendered themselves into the care and custody of their conductors. Albert had already made seven or eight similar excursions to the Colosseum, while his less favored companion trod for the first time in his life the classic ground forming the monument of Flavius Vespasian; and, to his credit be it spoken, his mind, even amid the glib loquacity of the guides, was duly and deeply touched with awe and enthusiastic admiration of all he saw; and certainly no adequate notion of these stupendous ruins can be formed save by such as have visited them, and more especially by moonlight, at which time the vast proportions of the building appear twice as large when viewed by the mysterious beams of a southern moonlit sky, whose rays are sufficiently clear and vivid to light the horizon with a glow equal to the soft twilight of an eastern clime. Scarcely, therefore, had the reflective Franz walked a hundred steps beneath the interior porticoes of the ruin, than, abandoning Albert to the guides (who would by no means yield their prescriptive right of carrying their victims through the routine regularly laid down, and as regularly followed by them, but dragged the unconscious visitor to the various objects with a pertinacity that admitted of no appeal, beginning, as a matter of course, with the Lions' Den, and finishing with Caesar's "Podium,"), to escape a jargon and mechanical survey of the wonders by which he was surrounded, Franz ascended a half-dilapidated staircase, and, leaving them to follow their monotonous round, seated himself at the foot of a column, and immediately opposite a large aperture, which permitted him to enjoy a full and undisturbed view of the gigantic dimensions of the majestic ruin.
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The Count of Monte Cristo (1845) (Completed)
Classics"The Count of Monte Cristo" focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment. However, his plans have devastating consequences for the innoc...