Demian : The Story of Emil Sinclair's Youth is a Bildungsroman by Hermann Hesse

Among Thieves

If I wanted to, I could recall many delicate moments from my childhood: the sense of being protected that my parents gave me, my affectionate nature, simply living a playful, satisfied existence in gentle surroundings. But my interest centers on the steps that I took to reach myself. All the moments of calm, the islands of peace whose magic I felt, I leave behind in the enchanted distance. Nor do I ask to ever set foot there again. That is why--as long as I dwell on my childhood--I will emphasize the things that entered it from outside, that were new, that impelled me forward or tore me away. These impulses always came from the "other world" and were accompanied by fear, constraint, and a bad conscience. They were always revolutionary and threatened the calm in which I would gladly have continued to live. Then came those years in which I was forced to recognize the existence of a drive within me that had to make itself small and hide from the world of light. 

The slowly awakening sense of my own sexuality overcame me, as it does every person, like an enemy and terrorist, as something forbidden, tempting and sinful. What my curiosity sought, what dreams, lust and fear created--the great secret of puberty--did not fit at all into my sheltered childhood. I behaved like everyone else. I led the double life of a child who is no longer a child. My conscious self lived within the familiar and sanctioned world, it denied the new world that dawned within me. Side by side with this I lived in a world of dreams, drives, and desires of a chthonic nature, across which my conscious self desperately built its fragile bridges, for the childhood world within me was falling apart. Like most parents, mine were no help with the new problems of puberty, to which no reference was ever made. All they did was take endless trouble in supporting my hopeless attempts to deny reality and to continue dwelling in a childhood world that was becoming more and more unreal. 

I have no idea whether parents can be of help, and I do not blame mine. It was my own affair to come to terms with myself and to find my own way, and like most well-brought-up children, I managed it badly. Everyone goes through this crisis. For the average person this is the point when the demands of his own life come into the sharpest conflict with his environment, when the way forward has to be sought with the bitterest means at his command. Many people experience the dying and rebirth--which is our fate--only this once during their entire life. Their childhood becomes hollow and gradually collapses, everything they love abandons them and they suddenly feel surrounded by the loneliness and mortal cold of the universe. Very many are caught forever in this impasse, and for the rest of their lives cling painfully to an irrevocable past, the dream of the lost paradise--which is the worst and most ruthless of dreams. 

But let me return to my story. The sensations and dream images announcing the end of my childhood are too many to be related in full. The important thing was that the "dark world, " the "other world, " had reappeared. What Franz Kromer had once been was now part of myself. Several years had gone by since the episode with Kromer. That dramatic time filled with guilt lay far in the past and seemed like a brief nightmare that had quickly vanished. Franz Kromer had long since gone out of my life, I hardly noticed when I happened to meet him in the street. The other important figure in my little tragedy, Max Demian, was never to go out of my life again entirely. Yet for a long time he merely stood at its distant fringes, visible but out of effective range. Only gradually did he come closer, again radiating strength and influence. I am trying to see what I can remember of Demian at that time. It is quite possible that I didn't talk to him once for a whole year or even longer.

 I avoided him and he did not impose himself on me in any way. The few instances that we met, he merely nodded to me. Sometimes it even seemed as though his friendliness was faintly tinged with derision or with ironic reproach--but I may have imagined this. The experience that we had shared and the strange influence he had exerted on me at that time were seemingly forgotten by both of us. I can conjure up what he looked like and now that I begin to recollect, I can see that he was not so far away from me after all and that I did notice him. I can see him on his way to school, alone or with a group of older students, and I see him strange, lonely, and silent, wandering among them like a separate planet, surrounded by an aura all his own, a law unto himself. No one liked him, no one was on intimate terms with him, except his mother, and this relationship, too, seemed not that of a child but of an adult. 

When they could, the teachers left him to himself; he was a good student but took no particular trouble to please anyone. Now and again we heard of some word, some sarcastic comment or retort he was rumored to have made to a teacher, and which--as gems of provocation and cutting irony--left little to be desired. As I close my eyes to recollect I can see his image rise up: where was that? Yes, I have it now: in the little alley before our house. One day I saw him standing there, notebook in hand, sketching. He was drawing the old coat of arms with the bird above our entrance. As I stood at the window behind the curtain and watched him, I was deeply astonished by his perceptive, cool, light-skinned face that was turned toward the coat of arms, the face of a man, of a scientist or artist, superior and purposeful, strangely lucid and calm, and with knowing eyes. And I can see him on another occasion.

 It was a few weeks later, also in a street. All of us on our way home from school were standing about a fallen horse. It lay in front of a farmer's cart still harnessed to the shaft, snorting pitifully with dilated nostrils and bleeding from a hidden wound so the white dust on one side of the street was stained. As I turned away nauseous I beheld Demian's face. He had not thrust himself forward but was standing farthest back, at ease and as elegantly dressed as usual. His eyes seemed fixed on the horse's head and again showed that deep, quiet, almost fanatical yet dispassionate absorption. I could not help looking at him for a time and it was then that I felt a very remote and peculiar sensation. I saw Demian's face and I not only noticed that it was not a boy's face but a man's; I also felt or saw that it was not entirely the face of a man either, but had something feminine about it, too.

 Yet the face struck me at that moment as neither masculine nor childlike, neither old nor young, but somehow a thousand years old, somehow timeless, bearing the scars of an entirely different history than we knew; animals could look like that, or trees, or planets--none of this did I know consciously, I did not feel precisely what I say about it now as an adult, only something of the kind. Perhaps he was handsome, perhaps I liked him, perhaps I also found him repulsive, I could not be sure of that either. All I saw was that he was different from us, he was like an animal or like a spirit or like a picture, he was different, unimaginably different from the rest of us. My memory fails me and I cannot be sure whether what I have described has not to some extent been drawn from later impressions .