Beatrice (5)

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Finally I set out on my portrait of Beatrice. A few attempts failed completely and I discarded them. The more I sought to imagine the face of the girl I had encountered here and there on the street the less successful I was. Finally I gave up the attempt and contented myself with giving in to my imagination and intuition that arose spontaneously from the first strokes, as though out of the paint and brush themselves. It was a dream face that emerged and I was not dissatisfied with it. Yet I persisted and every new sketch was more distinct, approximated more nearly the type I desired, even if it in no way reproduced reality. I grew more and more accustomed to idly drawing lines with a dreaming paintbrush and to coloring areas for which I had no model in mind, that were the result of playful fumblings of my subconscious. 


Finally, one day I produced, almost without knowing it, a face to which I responded more strongly than I had to any of the others. It was not the face of that girl--it wasn't supposed to be that any longer. It was something else, something unreal, yet it was no less valuable to me. It looked more like a boy's face than a girl's, the hair was not flaxen like that of my pretty girl, but dark brown with a reddish hue. The chin was strong and determined, the mouth like a red flower. As a whole it was somewhat stiff and masklike but it was impressive and full of a secret life of its own. As I sat down in front of the completed painting, it had an odd effect on me. It resembled a kind of image of God or a holy mask, half male, half female, ageless, as purposeful as it was dreamy, as rigid as it was secretly alive. This face seemed to have a message for me, it belonged to me, it was asking something of me. 


It bore a resemblance to someone, yet I did not know whom. For a time this portrait haunted my thoughts and shared my life. I kept it locked in a drawer so that no one would take it and taunt me with it. But as soon as I was alone in my small room I took it out and communed with it. In the evening I pinned it on the wall facing my bed and gazed on it until I fell asleep and in the morning it was the first thing my eyes opened on. It was precisely at this time that I again began having many dreams, as I had always had as a child. It felt as though I had not dreamed for years. Now the dreams returned with entirely new images, and time after time the portrait appeared among them, alive and eloquent, friendly or hostile to me, sometimes distorted into a grimace, sometimes infinitely beautiful, harmonious, and noble. Then one morning, as I awoke from one of these dreams, I suddenly recognized it. It looked at me as though it were fabulously familiar and seemed to call out my name. 


It seemed to know who I was, like a mother, as if its eyes had been fixed on me since the beginning of time. With a quivering heart I stared at the sheet, the close brown hair, the half-feminine mouth, the pronounced forehead with the strange brightness (it had dried this way of its own accord) and I felt myself coming nearer and nearer to the recognition, the rediscovery, the knowledge. I leapt out of bed, stepped up to the face, and from inches away looked into its wide-open, greenish, rigid eyes, the right one slightly higher than the left. All at once the right eye twitched, ever so faintly and delicately but unmistakably, and I was able to recognize the picture... Why had it taken me so long? It was Demian's face. Later I often compared the portrait with Demian's true features as I remembered them. They were by no means the same even though there was a resemblance. 


Nonetheless, it was Demian. Once the early-summer sun slanted oblique and red into a window that faced westward. Dusk was growing in my room. It occurred to me to pin the portrait of Beatrice, or Demian, at the window crossbar and to observe the evening sun shine through it. The outlines of the face became blurred but the red-rimmed eyes, the brightness on the forehead, and the bright red mouth glowed deep and wild from the surface. I sat facing it for a long time, even after the sun had faded, and gradually I began to sense that this was neither Beatrice nor Demian but myself. Not that the picture resembled me--I did not feel that it should--but it was what determined my life, it was my inner self, my fate or my daemon. That's what my friend would look like if I were to find one ever again. 

Demian : The Story of Emil Sinclair's Youth is a Bildungsroman by Hermann HesseWhere stories live. Discover now