Beatrice (6)

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In the end he obliged me to eat the coat of arms! When I had swallowed it, I felt to my horror that the heraldic bird was coming to life inside me, had begun to swell up and devour me from within. Deathly afraid I started up in bed, awoke. I was wide awake; it was the middle of the night and I could hear rain pouring into the room. As I got up to close the window I stepped on something that shone bright on the floor. In the morning I discovered that it had been my painting. It lay in a puddle and the paper had warped. I placed it between two sheets of blotting paper inside a heavy book. 


When I looked at it again the next day it wasdry, but had changed. The red mouth had faded and con-tracted a little. It now looked exactly like Demian's mouth. I set about painting a fresh picture of the heraldic bird. I could not remember distinctly what it looked like and certain details, as I knew, could not be made out even from close up, because the thing was old and had often been painted over. The bird stood or perched on something, perhaps on a flower or on a basket or a nest, or on a treetop. I couldn't trouble myself over this detail and began with what I could visualize clearly. Out of an indistinct need I at once began to employ loud colors, painting the bird's head a golden yellow.


 Whenever the mood took me, I worked on the picture, bringing it to completion in several days. Now it represented a bird of prey with a proud aquiline sparrow hawk's head, half its body stuck in some dark globe out of which it was struggling to free itself as though from a giant egg--all of this against a sky-blue background. As I continued to scrutinize the sheet it looked to me more and more like the many-colored coat of arms that had occurred to me in my dream. I could not have written Demian even if I had known his address. I decided, however--in the same state of dreamlike presentiment in which I did everything--to send him the painting of the sparrow hawk, even if it would never reach him. I added no message, not even my name, carefully trimmed the edges and wrote my friend's former address on it. Then I mailed it.


 I had an exam coming up and had to do more work than usual. The teachers had reinstated me in their favor since I had abruptly changed my previously despicable mode of life. Not that I had become an outstanding student, but now neither I nor anyone else gave it any further thought that half a year earlier my expulsion had seemed almost certain. My father's letters regained some of their old tone, with-out reproaches or threats. Yet I felt no inclination to explain to him or anyone else how the change within me had come about. It was an accident that this transformation coincided with my parents' and teachers' wishes. This change did not bring me into the community of the others, did not make me closer to anyone, but actually made me even lonelier. 


My reformation seemed to point in the direction of Demian, but even this was a distant fate. I did not know myself, for I was too deeply involved. It had begun with Beatrice, but for some time I had been living in such an unreal world with my paintings and my thoughts of Demian that I'd forgotten all about her, too. I could not have uttered a single word about my dreams and expectations, my inner change, to anyone, not even if I had wanted to. But how could I have wanted to?

Demian : The Story of Emil Sinclair's Youth is a Bildungsroman by Hermann HesseWhere stories live. Discover now