Rebecca of Sunnybrook Farm (1903)

Chapter XI "THE STIRRING OF THE POWERS"

Rebecca's visit to Milltown was all that her glowing fancy had painted it, except that recent readings about Rome and Venice disposed her to believe that those cities might have an advantage over Milltown in the matter of mere pictorial beauty. So soon does the soul outgrow its mansions that after once seeing Milltown her fancy ran out to the future sight of Portland; for that, having islands and a harbor and two public monuments, must be far more beautiful than Milltown, which would, she felt, take its proud place among the cities of the earth, by reason of its tremendous business activity rather than by any irresistible appeal to the imagination.

It would be impossible for two children to see more, do more, walk more, talk more, eat more, or ask more questions than Rebecca and Emma Jane did on that eventful Wednesday.

"She's the best company I ever see in all my life," said Mrs. Cobb to her husband that evening. "We ain't had a dull minute this day. She's well-mannered, too; she didn't ask for anything, and was thankful for whatever she got. Did you watch her face when we went into that tent where they was actin' out Uncle Tom's Cabin? And did you take notice of the way she told us about the book when we sat down to have our ice cream? I tell you Harriet Beecher Stowe herself couldn't 'a' done it better justice."

"I took it all in," responded Mr. Cobb, who was pleased that "mother" agreed with him about Rebecca. "I ain't sure but she's goin' to turn out somethin' remarkable,—a singer, or a writer, or a lady doctor like that Miss Parks up to Cornish."

"Lady doctors are always home'paths, ain't they?" asked Mrs. Cobb, who, it is needless to say, was distinctly of the old school in medicine.

"Land, no, mother; there ain't no home'path 'bout Miss Parks—she drives all over the country."

"I can't see Rebecca as a lady doctor, somehow," mused Mrs. Cobb. "Her gift o' gab is what's goin' to be the makin' of her; mebbe she'll lecture, or recite pieces, like that Portland elocutionist that come out here to the harvest supper."

"I guess she'll be able to write down her own pieces," said Mr. Cobb confidently; "she could make 'em up faster 'n she could read 'em out of a book."

"It's a pity she's so plain looking," remarked Mrs. Cobb, blowing out the candle.

"PLAIN LOOKING, mother?" exclaimed her husband in astonishment. "Look at the eyes of her; look at the hair of her, an' the smile, an' that there dimple! Look at Alice Robinson, that's called the prettiest child on the river, an' see how Rebecca shines her ri' down out o' sight! I hope Mirandy'll favor her comin' over to see us real often, for she'll let off some of her steam here, an' the brick house'll be consid'able safer for everybody concerned. We've known what it was to hev children, even if 't was more 'n thirty years ago, an' we can make allowances."

Notwithstanding the encomiums of Mr. and Mrs. Cobb, Rebecca made a poor hand at composition writing at this time. Miss Dearborn gave her every sort of subject that she had ever been given herself: Cloud Pictures; Abraham Lincoln; Nature; Philanthropy; Slavery; Intemperance; Joy and Duty; Solitude; but with none of them did Rebecca seem to grapple satisfactorily.

"Write as you talk, Rebecca," insisted poor Miss Dearborn, who secretly knew that she could never manage a good composition herself.

"But gracious me, Miss Dearborn! I don't talk about nature and slavery. I can't write unless I have something to say, can I?"

"That is what compositions are for," returned Miss Dearborn doubtfully; "to make you have things to say. Now in your last one, on solitude, you haven't said anything very interesting, and you've made it too common and every-day to sound well. There are too many 'yous' and 'yours' in it; you ought to say 'one' now and then, to make it seem more like good writing. 'One opens a favorite book;' 'One's thoughts are a great comfort in solitude,' and so on."