If we did not have a white Christmas we had a white New Year. Midway between the two came a heavy snowfall. It was winter in our orchard of old delights then,--so truly winter that it was hard to believe summer had ever dwelt in it, or that spring would ever return to it. There were no birds to sing the music of the moon; and the path where the apple blossoms had fallen were heaped with less fragrant drifts. But it was a place of wonder on a moonlight night, when the snowy arcades shone like avenues of ivory and crystal, and the bare trees cast fairy-like traceries upon them. Over Uncle Stephen's Walk, where the snow had fallen smoothly, a spell of white magic had been woven. Taintless and wonderful it seemed, like a street of pearl in the new Jerusalem.
On New Year's Eve we were all together in Uncle Alec's kitchen, which was tacitly given over to our revels during the winter evenings. The Story Girl and Peter were there, of course, and Sara Ray's mother had allowed her to come up on condition that she should be home by eight sharp. Cecily was glad to see her, but the boys never hailed her arrival with over-much delight, because, since the dark began to come down early, Aunt Janet always made one of us walk down home with her. We hated this, because Sara Ray was always so maddeningly self-conscious of having an escort. We knew perfectly well that next day in school she would tell her chums as a "dead" secret that "So-and-So King saw her home" from the hill farm the night before. Now, seeing a young lady home from choice, and being sent home with her by your aunt or mother are two entirely different things, and we thought Sara Ray ought to have sense enough to know it.
Outside there was a vivid rose of sunset behind the cold hills of fir, and the long reaches of snowy fields glowed fairily pink in the western light. The drifts along the edges of the meadows and down the lane looked as if a series of breaking waves had, by the lifting of a magician's wand, been suddenly transformed into marble, even to their toppling curls of foam.
Slowly the splendour died, giving place to the mystic beauty of a winter twilight when the moon is rising. The hollow sky was a cup of blue. The stars came out over the white glens and the earth was covered with a kingly carpet for the feet of the young year to press.
"I'm so glad the snow came," said the Story Girl. "If it hadn't the New Year would have seemed just as dingy and worn out as the old. There's something very solemn about the idea of a New Year, isn't there? Just think of three hundred and sixty-five whole days, with not a thing happened in them yet."
"I don't suppose anything very wonderful will happen in them," said Felix pessimistically. To Felix, just then, life was flat, stale and unprofitable because it was his turn to go home with Sara Ray.
"It makes me a little frightened to think of all that may happen in them," said Cecily. "Miss Marwood says it is what we put into a year, not what we get out of it, that counts at last."
"I'm always glad to see a New Year," said the Story Girl. "I wish we could do as they do in Norway. The whole family sits up until midnight, and then, just as the clock is striking twelve, the father opens the door and welcomes the New Year in. Isn't it a pretty custom?"
"If ma would let us stay up till twelve we might do that too," said Dan, "but she never will. I call it mean."
"If I ever have children I'll let them stay up to watch the New Year in," said the Story Girl decidedly.
"So will I," said Peter, "but other nights they'll have to go to bed at seven."
"You ought to be ashamed, speaking of such things," said Felicity, with a scandalized face.
Peter shrank into the background abashed, no doubt believing that he had broken some Family Guide precept all to pieces.
"I didn't know it wasn't proper to mention children," he muttered apologetically.
YOU ARE READING
THE GOLDEN ROAD (Completed)
ClassicsThe plot is based around the character Beverley who remembers his childhood days with his brother Felix and friends and cousins Felicity, Cecily, Dan, Sara Stanley (the "Story Girl"), hired-boy Peter and neighbor Sara Ray. The children often played...