Aunt Olivia and the Story Girl lived in a whirlwind of dressmaking after that, and enjoyed it hugely. Cecily and Felicity also had to have new dresses for the great event, and they talked of little else for a fortnight. Cecily declared that she hated to go to sleep because she was sure to dream that she was at Aunt Olivia's wedding in her old faded gingham dress and a ragged apron.
"And no shoes or stockings," she added, "and I can't move, and everyone walks past and looks at my feet."
"That's only in a dream," mourned Sara Ray, "but I may have to wear my last summer's white dress to the wedding. It's too short, but ma says it's plenty good for this summer. I'll be so mortified if I have to wear it."
"I'd rather not go at all than wear a dress that wasn't nice," said Felicity pleasantly.
"I'd go to the wedding if I had to go in my school dress," cried Sara Ray. "I've never been to anything. I wouldn't miss it for the world."
"My Aunt Jane always said that if you were neat and tidy it didn't matter whether you were dressed fine or not," said Peter.
"I'm sick and tired of hearing about your Aunt Jane," said Felicity crossly.
Peter looked grieved but held his peace. Felicity was very hard on him that spring, but his loyalty never wavered. Everything she said or did was right in Peter's eyes.
"It's all very well to be neat and tidy," said Sara Ray, "but I like a little style too."
"I think you'll find your mother will get you a new dress after all," comforted Cecily. "Anyway, nobody will notice you because everyone will be looking at the bride. Aunt Olivia will make a lovely bride. Just think how sweet she'll look in a white silk dress and a floating veil."
"She says she is going to have the ceremony performed out here in the orchard under her own tree," said the Story Girl. "Won't that be romantic? It almost makes me feel like getting married myself."
"What a way to talk," rebuked Felicity, "and you only fifteen."
"Lots of people have been married at fifteen," laughed the Story Girl. "Lady Jane Gray was."
"But you are always saying that Valeria H. Montague's stories are silly and not true to life, so that is no argument," retorted Felicity, who knew more about cooking than about history, and evidently imagined that the Lady Jane Gray was one of Valeria's titled heroines.
The wedding was a perennial source of conversation among us in those days; but presently its interest palled for a time in the light of another quite tremendous happening. One Saturday night Peter's mother called to take him home with her for Sunday. She had been working at Mr. James Frewen's, and Mr. Frewen was driving her home. We had never seen Peter's mother before, and we looked at her with discreet curiosity. She was a plump, black-eyed little woman, neat as a pin, but with a rather tired and care-worn face that looked as if it should have been rosy and jolly. Life had been a hard battle for her, and I rather think that her curly- headed little lad was all that had kept heart and spirit in her. Peter went home with her and returned Sunday evening. We were in the orchard sitting around the Pulpit Stone, where we had, according to the custom of the households of King, been learning our golden texts and memory verses for the next Sunday School lesson. Paddy, grown sleek and handsome again, was sitting on the stone itself, washing his jowls.
Peter joined us with a very queer expression on his face. He seemed bursting with some news which he wanted to tell and yet hardly liked to.
"Why are you looking so mysterious, Peter?" demanded the Story Girl.
YOU ARE READING
THE GOLDEN ROAD (Completed)
ClássicosThe plot is based around the character Beverley who remembers his childhood days with his brother Felix and friends and cousins Felicity, Cecily, Dan, Sara Stanley (the "Story Girl"), hired-boy Peter and neighbor Sara Ray. The children often played...