Two days later, on the fifteenth of July, an immense number of carriages were standing outside the Slobóda Palace.
The great halls were full. In the first were the nobility and gentry in their uniforms, in the second bearded merchants in full-skirted coats of blue cloth and wearing medals. In the noblemen's hall there was an incessant movement and buzz of voices. The chief magnates sat on high-backed chairs at a large table under the portrait of the Emperor, but most of the gentry were strolling about the room.
All these nobles, whom Pierre met every day at the Club or in their own houses, were in uniform—some in that of Catherine's day, others in that of Emperor Paul, others again in the new uniforms of Alexander's time or the ordinary uniform of the nobility, and the general characteristic of being in uniform imparted something strange and fantastic to these diverse and familiar personalities, both old and young. The old men, dim-eyed, toothless, bald, sallow, and bloated, or gaunt and wrinkled, were especially striking. For the most part they sat quietly in their places and were silent, or, if they walked about and talked, attached themselves to someone younger. On all these faces, as on the faces of the crowd Pétya had seen in the Square, there was a striking contradiction: the general expectation of a solemn event, and at the same time the everyday interests in a boston card party, Peter the cook, Zinaída Dmítrievna's health, and so on.
Pierre was there too, buttoned up since early morning in a nobleman's uniform that had become too tight for him. He was agitated; this extraordinary gathering not only of nobles but also of the merchant-class—les états généraux (States-General)—evoked in him a whole series of ideas he had long laid aside but which were deeply graven in his soul: thoughts of the Contrat Social and the French Revolution. The words that had struck him in the Emperor's appeal—that the sovereign was coming to the capital for consultation with his people—strengthened this idea. And imagining that in this direction something important which he had long awaited was drawing near, he strolled about watching and listening to conversations, but nowhere finding any confirmation of the ideas that occupied him.
The Emperor's manifesto was read, evoking enthusiasm, and then all moved about discussing it. Besides the ordinary topics of conversation, Pierre heard questions of where the marshals of the nobility were to stand when the Emperor entered, when a ball should be given in the Emperor's honor, whether they should group themselves by districts or by whole provinces... and so on; but as soon as the war was touched on, or what the nobility had been convened for, the talk became undecided and indefinite. Then all preferred listening to speaking.
A middle-aged man, handsome and virile, in the uniform of a retired naval officer, was speaking in one of the rooms, and a small crowd was pressing round him. Pierre went up to the circle that had formed round the speaker and listened. Count Ilyá Rostóv, in a military uniform of Catherine's time, was sauntering with a pleasant smile among the crowd, with all of whom he was acquainted. He too approached that group and listened with a kindly smile and nods of approval, as he always did, to what the speaker was saying. The retired naval man was speaking very boldly, as was evident from the expression on the faces of the listeners and from the fact that some people Pierre knew as the meekest and quietest of men walked away disapprovingly or expressed disagreement with him. Pierre pushed his way into the middle of the group, listened, and convinced himself that the man was indeed a liberal, but of views quite different from his own. The naval officer spoke in a particularly sonorous, musical, and aristocratic baritone voice, pleasantly swallowing his r's and generally slurring his consonants: the voice of a man calling out to his servant, "Heah! Bwing me my pipe!" It was indicative of dissipation and the exercise of authority.
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WAR AND PEACE [To Be Continued in Second Part]
ClassicsWar and Peace is a novel by the Russian author Leo Tolstoy, which is regarded as a central work of world literature and one of Tolstoy's finest literary achievements. The novel chronicles the history of the French invasion of Russia and the impact o...