Fade in. London evening.
He steps in from the drizzle,
shaking his black brolly
his dark hair, heavy lamb's curls
glisten under the track lighting
Intercepted by the hostess
he is led through an obstacle course
of trendy diners
and their even trendier dates
to where I'm sitting
my second drink
already warm in my hands
Superimposed on music. Lights dim.
He apologizes with a ready kiss
for his unavoidable delay
and turns his attentions to
the elegantly printed menu
Suddenly, a curtain parts, and
his peasant features
so out of place
in West End theatres and at Kensington Parties
(where he hides away his real accent
in favor of another)
become his singular means
of expression
Later. Underscored with desperation.
With a slight smile and a modest tilt of the head
he talks loosely of his latest project
a bit of Shakespeare in Southampton
a little something that sounds quite promising
But through the sharp, white china
gutted rolls
and wrung twists of lemon,
I can hear the message he is sending
I can hear it in the tap of his fingers
as he lights the first of many cigarettes
a light tattoo of need
of too many years spent alone
A message that, with all his memorized
lines and rehearsed scenes
he never can quite
manage
to speak aloud
Fade out. Brightest London night.
-----------------
This poem I wrote at some point during university. It won one of the Academy of American Poets awards for my state, and is my only contest winner. :-)
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The Land of Ice and Vine: Poems
PoesiaA mixed collection of my story poetry written between the ages of 13 and 43. With notes.