Creepypasta Origins and Stories

The Puppetmaster's Regime Creepypasta

Have you ever heard of the musical "The Puppetmaster's Regime"? Most likely, you haven't. In fact, most die-hard theatre lovers are often unfamiliar with this little production. It was a 1934 stage musical written by anonymous authors of the music, lyrics, and book. It starred upcoming performers such as Timmy "cutie-pie" Wright, Sally Wilkes, Henry Gregory, as well as many others. At the time, it was the most expensive show to date. It was said to be the biggest, most spectacular stage show to San Francisco and back.

From the testament of Tyler Warwick (1901-1983)

"I went to see the show about a week after I turned thirty-three. The ticket was a gift from my sister, who knew how much I loved the theatre. I remember the signs, they were huge and rather gaudy. Oh, and the playbill--it was just a single red dot with a doll-like face on it. It seemed a bit melancholy for what I assumed was to be a musical-comedy, but I didn't pay much attention. I was going to see a Broadway show."

From the testament of Georgina Long (1911-1984)

"The cast was made completely of 'new' people. Young children and adults alike who were longing to get back on stage after Vaudeville became old news--it was quite charming really. But I did take a bit of notice to that odd little playbill...all the playwrights and lyricists and everyone were all unnamed, and that design...it was a little red drop with a peculiar little face in it. Not even a title, just that little red dot. I had come to New York with my parents on an impromptu vacation after my grandmother had died...a Broadway musical seemed just like what we needed. (...)"

From the testament of Carl Hannigan (1920-1993)

"I do recall most of the first act. Then again, who could forget? The story was a little hard to follow at first. There was a little boy who lived in a puppet shop, or maybe he lived down the street--no, no, he worked in the puppet shop, but he was homeless, so they provided him with a home there. The kid's name was Mori..Mortim...something weird...oh yes, it was Morietum...no, Morietur. Morietur, yes.

Anyways, Morietur's employer was this old man named Mr. Obcisor. I remember his name because his character was unimaginably unsettling--bouncing all around and getting angry and the little boy, all while keeping this nasal, gigglish voice. Anyhow, the production opened to Morietur and the odd fellow getting into an argument over the boy not doing his work, then two of them sang this peculiar number about puppets...it wasn't a normal song...or at least, the musicality wasn't normal. The lyrics were very enchanting, and the music did this odd flowing thing about the room...instruments would get very quiet without losing any power to it; maybe it was just the acoustics--I'm most likely explaining it all wrong. Oh well. But...in time, we got used to it, and the show progressed..."

From the testament of Gabriel Johnston (1919-1976)

"This youngster, Mori- Morietur, something like that, was quite insecure about his stay in the puppet shop--very paranoid that his boss would throw him out. I was an aspiring lyricist at the time, and I'd done the lyrics to a few original community theater projects, so I was fascinated with the wording in these songs. I scribbled down a few lyrics after I'd went home. Unless I'm remembering wrong, the little puppet-shop-boy and Mr. Obi-something had a introductory duet, and then Morietur went off and had a short lament in a different, much more somber tune:

If I stay, and do everything right I can live in the day, and steer (stay?) clear of the night
Out there in the night, in the dark, there's a world of why's (lies?)...
I can hear them whisper...
And sometimes I can see their eyes...

The 'eyes' comment confused me for a moment, but then I assumed that he was meaning the stars. It seemed as though the number was unnecessarily tragic and poorly situated within the show, but it was a minor quibble.