I used to be a writer.
I remember how they would
hound me.
wolven voices ringing out,
the lovely parts of their lips glint
"aren't you writing now?"
I must have laughed, I must have
I revealed my hands,
and told them,
"No. I'm not.
I'm bleeding
and there is a
difference."
I should have
abandon them,
and those words -
too full of holes
to be whole.
But when I did,
I found that -
I missed them
terribly.
The initial ache of them
was a candle too close to flesh
it became soft and red.
They told me
with dry lips
that if I didn't
move them
they would
move me.
I asked myself,
when?
When was it
that I became
afraid
of lines?
of emptiness?
As if the nothingness
was something to be
feared.
It is.
Even now,
I can affirm -
when they ask me
to identify the essence
of fear
I will always respond with,
"Nothing."
YOU ARE READING
Slow Burn: A Poetry Collection
PoetryThis collection examines things like slow descents, passion and things that fizzle out quickly.