WHAT TO DO WITH A MARTYR. Joan's Song

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She was a 4 A.M. sky, at the cusp of birth and death
Iron-clad and Iron-wrought
Joan holds the tongue of Hades's hounds,
says she's having the worst of days,
shooting at point-blank range.

 sky, at the cusp of birth and deathIron-clad and Iron-wrought Joan holds the tongue of Hades's hounds,says she's having the worst of days,shooting at point-blank range

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I / THE BECOMING

There is a song of swords gashing through summer—
Herr, you left your favourite sword in my throat
Err, the habit of punching holes in martyrs
I'm your favourite daughter,
Gods pinioned on the walls of my heart.

She is clenched inside the fist of god and she expects herself to burst open with Love.
The nation expects some tryst, loose bound liberty
There is no such constitution for the self, the corpus
is just meat that agrees to be dead.

II / THE KNOWING

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II / THE KNOWING

There is no glory without fire.
Bottled mary hair in my cupboard,
My nose with an exaggerated bridge.
I am an aftershock of prophecy,
and the narrative is an umbilical cord.

What do you do with a body that refuses to be a body
What do you do with a body which is an organ of god
The poem does not obey me, the doom
in the blood rushes back. Death is the one
prophecy I know and I know nothing at all.

 Death is the one prophecy I know and I know nothing at all

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III / THE TAKING

I would gnaw my heart out at god's table
with a bad grammar grin. I would know
when to show my teeth cause
I'm your favourite daughter, born to do this.
...
Oh, you want to be a martyr?
Get in line—

Nailed palms and bloodied utter tongue
She was Joan, bloodshed saint, knightlier
and braver than any man in town
in all of France.











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