(Quick Wear) The Transmigrated Cannon Fodder Overthrown The Male Protagonist

Chapter 17

The design director who can't fall in love(17),

　　Chu jie is even more inexplicably embarrassed.

　　But when he turned to look at Zhou Min who obviously didn't understand and was confused, Chu Jie couldn't help but smile and discovered another side of her. It seemed that she was a book that was easy to see through but sometimes extremely mysterious. Every time he thought he understood When She arrived, I discovered another face of Zhou Min.

　　Mrs. Chu looked into Chu Jie's eyes and smiled knowingly.

　　"Xiao Min, how did you know that the painting I drew randomly had such a meaning?!" Master Chu changed Zhou Min's position in his heart, and couldn't help but change her title as his wife. .

　　"Because Master Chu's brushstrokes and composition in that painting are different from the previous ones. Moreover, I once got to know Master Chu in order to understand Master Chu's paintings. The most important thing is that Mother Ye has been with me since she was a child. He will take me to see Master Chu's paintings." Zhou Min said seriously and modestly.

　　"Oh?! Have you learned about me? From magazines or from Baidu?!" Master Chu asked with a smile, without any blame.

　　"All, but more of it is from the reports in all magazines combined with Master Chu's paintings from his youth to the present, as well as Master Chu's learning experience as a child..."

　　"Then, what did Xiao Min learn?" Master Chu He raised his eyebrows in surprise and asked with a tolerant and loving expression, but as he spoke, he had already sat on the sofa beside him with his wife, Zhou Min, and Chu Jie.

　　"Master Chu once said in a magazine that your first teacher was your father, but your father was not a master of Chinese painting but a master of impression painting..." Zhou Min said. At this time, he looked at Chu who was slightly stiff. Seeing that he was not in a bad mood, Zhou Min continued, "Master Chu's later works were mainly based on Chinese painting, and the techniques of Chinese painting are different from impression painting, but Master Chu's introductory teacher was his father who loved impression painting. Therefore, in the early days, the master's paintings as a boy were biased toward the style and brushstrokes of Western painting. Until the master went to junior high school and met his real teacher, he understood that the artistic conception and brushstrokes of traditional Chinese painting were all drawn from Chinese calligraphy, and he pursued the form of painting. It was only when he understood the meaning and personality of "calligraphy and painting have the same origin" that the master's paintings began to undergo small but important changes. This in itself is also an indispensable reason why the master began to learn Yan style calligraphy. "

　　Zhou Min said. At this time, Master Chu's expression began to become more and more excited, and the eyes of Chu Jie and Mrs. Chu looking at Zhou Min also changed. Especially Chu Jie, who seemed to look at Zhou Min with more and more fiery eyes.

　　After Zhou Min paused for a moment, he continued, "Traditional Chinese painting and calligraphy have been closely linked and inseparable since the beginning. As an artistic expression method of Chinese painting, brush and ink are only partial and not the whole area, but brush and ink are a key part of Chinese painting. However, every stroke and every stroke is permeated with all the characteristics of traditional Chinese painting. For example, traditional Chinese painting pursues lines such as conical sand, roof leakage marks, etc., and calligraphy brushes that are hard, soft, strong, round, thick, and fast. The changes in lightness, weight, and strokes are actually the same. Therefore, the master's paintings are based on the dry, wet, thick, light, heavy, burnt, dry, and moist charms when using ink; in the pursuit of the pen, ink, and color on the rice paper The natural complex changes and unexpected tastes that appear on the painting are perfectly grasped. A good Chinese painting, whether appreciated from the whole or from part, pay attention to the intention of each line before the stroke, and the stroke when it is unexpected, and every piece of Chinese painting. The abstract beauty of ink stains and even every moss spot can reflect the skill of a painter, and will give the viewer indescribable infection and enjoyment. It is precisely because of Master Chu's pursuit of the artistic conception of traditional Chinese painting that the vast and flowing landscape The artistic conception makes the master's paintings hard to find."

　　Master Chu smiled extremely happily, "But that doesn't explain how you saw that the painting of "tree" had another name!?" "

　　'It's intentional. "There is something outside of the taste" is what I feel when I see every painting by Master Chu. However, when the master has achieved certain achievements in Chinese painting, the master suddenly became 35 years old in the three Chinese paintings per year. At that time, another "tree" that seemed ordinary but was actually the most emotional appeared inadvertently. This painting allowed those who appreciated the painting to see that Master Chu had once again reached another peak of artistic conception! , but, in my opinion, more than the skill, the emotion it represents touches me deeply."

　　"The only towering tree on the entire blank rice paper, the trunk is outlined in a light crimson landscape style ink. The tree crown is made of green mountains and green waters, which is commonly used by Master Chu. It is mostly outlined and less dyed. It is painted with line boundaries and scattered perspective. Although they are two very similar traditional Chinese painting techniques, they are But it represents two kinds of emotions."

　　Zhou Min's detailed analysis surprised Master Chu. Just when he was about to say something, Zhou Min suddenly looked at Master Chu and said, "The world only knows that Master Chu's father painted with impressions. Representative, but he didn't know that Master Chu's father also painted Chinese paintings when he was young, but his reputation was not obvious. In the end, Master Chu's father combined Chinese painting and Western painting, and Master Chu's father began to become a blockbuster! He is the first person to create post-modern impression paintings. The master's father's early habit of painting Chinese paintings was the brushstrokes of light crimson landscapes. Although in his childhood, master Chu was more exposed to the teachings of his father's post-impression paintings, but the reason why the master was obsessed with it was The real reason for the traditional Chinese painting is your father's few random graffiti, which are not famous and have no artistic conception. "

　　"So, you regard that big tree as your father's. The brushstrokes are combined with your painting habits. The tree trunk is your father's Chinese painting habit of light crimson landscapes, and the tree crown is your painting brushstrokes. It means that your father supported your carefree childhood, and the master The image of your father is like this giant tree, standing tall and unmoving, allowing you to be worry-free and choose whatever you like from childhood to adulthood. "

　　As soon as Zhou Min finished speaking, not only Mrs. Chu was surprised, she was shocked to see Chu Jie, not to mention Master Chu himself, who was so shocked that he didn't know what to say.

　　Chu Jie didn't know. After all, he was not born when his grandfather died. When his father painted this painting, his grandfather had been dead for a long time.

　　But Mrs. Chu knows it! Especially the painting called "Tree", it is Master Chu's most precious thing, and it is also the only painting that represents his father so far.

　　"You, how do you know, I, father, you..." Master Chu no longer knew what he was talking about, but Zhou Min understood what Master Chu meant and smiled.

　　"In the past few years, I have found that whenever someone shows the painting style of Qianjiang landscape brushwork, Master Chu will definitely go to see it no matter where he is. And several times, when the master looked at the Chinese paintings of Qianjiang landscape style, he would say,  The look in your father's eyes when looking at his postmodern impression paintings is one of nostalgia, nostalgia and beauty, as if he is looking for familiar flavors or brushstrokes in these paintings."

　　Zhou Min changed the topic at this time, "So, I think Master Chu must understand the desire of the head of the Ye family, Ye Ziyan, to fulfill his late mother's last wish, because you are a bit similar to our president."