The Ingleside children played together and walked together and had all kinds of adventures together; and each of them, in addition to this, had his and her own inner life of dream and fancy. Especially Nan, who from the very first had fashioned secret drama for herself out of everything she heard or saw or read and sojourned in realms of wonder and romance quite unsuspected in her household circle. At first she wove patterns of pixy dances and elves in haunted valleys and dryads in birch trees. She and the great willow at the gate had whispered secrets and the old empty Bailey house at the upper end of Rainbow Valley was the ruin of a haunted tower. For weeks she might be a king's daughter imprisoned in a lonely castle by the sea . . . for months she was a nurse in a leper colony in India or some land "far, far away." "Far, far away" had always been words of magic to Nan . . . like faint music over a windy hill.
As she grew older she built up her drama about the real people she saw in her little life. Especially the people in church. Nan liked to look at the people in church because everyone was so nicely dressed. It was almost miraculous. They looked so different from what they did on week days.
The quiet respectable occupants of the various family pews would have been amazed and perhaps a little horrified if they had known the romances the demure, brown-eyed maiden in the Ingleside pew was concocting about them. Black-browed, kind-hearted Annetta Millison would have been thunderstruck to know that Nan Blythe pictured her as a kidnapper of children, boiling them alive to make potions that would keep her young forever. Nan pictured this so vividly that she was half frightened to death when she met Annetta Millison once in a twilight lane astir with the golden whisper of buttercups. She was positively unable to reply to Annetta's friendly greeting and Annetta reflected that Nan Blythe was really getting to be a proud and saucy little puss and needed a bit of training in good manners. Pale Mrs. Rod Palmer never dreamed that she had poisoned someone and was dying of remorse. Elder Gordon MacAllister of the solemn face had no notion that a curse had been put on him at birth by a witch, the result being that he could never smile. Dark-moustached Fraser Palmer of a blameless life little knew that when Nan Blythe looked at him she was thinking, "I am sure that man has committed a dark and desperate deed. He looks as if he had some dreadful secret on his conscience." And Archibald Fyfe had no suspicion that when Nan Blythe saw him coming she was busy making up a rhyme as a reply to any remark he might make because he was never to be spoken to except in rhyme. He never did speak to her, being exceedingly afraid of children, but Nan got no end of fun out of desperately and quickly inventing a rhyme.
"I'm very well, thank you, Mr. Fyfe,
How are you yourself and your wife?"or,
"Yes, it is a very fine day,
Just the right kind for making hay."There is no knowing what Mrs. Morton Kirk would have said if she had been told that Nan Blythe would never come to her house . . . supposing she had ever been invited . . . because there was a red footprint on her doorstep; and her sister-in-law, placid, kind, unsought Elizabeth Kirk, did not dream she was an old maid because her lover had dropped dead at the altar just before the wedding ceremony.
It was all very amusing and interesting and Nan never lost her way between fact and fiction until she became possessed with the Lady with the Mysterious Eyes.
It is no use asking how dreams grow. Nan herself could never have told you how it came about. It started with the GLOOMY HOUSE . . . Nan saw it always just like that, spelled in capitals. She liked to spin her romances about places as well as people and the GLOOMY HOUSE was the only place around, except the old Bailey house, which lent itself to romance. Nan had never seen the HOUSE itself . . . she only knew that it was there, behind a thick dark spruce on the Lowbridge side-road, and had been vacant from time immemorial,--so Susan said. Nan didn't know what time immemorial was but it was a most fascinating phrase, just suited to gloomy houses.
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Anne Of Ingleside √ (Project K.)
Clássicos*ALL CREDITS TO L.M.MONTGOMERY* The sixth installment to the 'Anne' series. Cover by #itzmadii Anne is the mother of five, with never a dull moment in her lively home. And now with a new baby on the way and insufferable Aunt Mary visiting - and wear...