I had not been acquitted because the judge was expecting the arrest of the man who had entered the church with the child. They would then know if I was this man's accomplice. They were on the trail, the prosecutor had said, so I should have the shame and sorrow of appearing in the prisoner's dock at the Assizes beside him.
That evening, just before dusk, I heard the clear notes of a cornet. Mattia was there! Dear old Mattia! he wanted to tell me that he was near and thinking of me. He was evidently in the street on the other side of the wall opposite my window. I heard footsteps and the murmur of a crowd. Mattia and Bob were probably giving a performance.
Suddenly I heard a clear voice call out in French, "To-morrow at daybreak!" Then at once Mattia played his loudest on the cornet.
It did not need any degree of intelligence to understand that Mattia had not addressed these French words to an English public. I was not sure what they meant, but evidently I had to be on the alert at daybreak the next morning. As soon as it was dark I got into my hammock, but it was some time before I could go to sleep, although I was very tired. At last I dropped off to sleep. When I awoke it was night. The stars shone in the dark sky and silence reigned everywhere. A clock struck three. I counted the hours and the quarter hours. Leaning against the wall I kept my eyes fixed on the window. I watched the stars go out one by one. In the distance I could hear the cocks crowing. It was daybreak.
I opened the window very softly. What did I expect? There were still the iron bars and the high wall opposite. I could not get out, and yet foolish though the thought was, I expected my freedom. The morning air chilled me but I stayed by my window, looking out without knowing at what, listening without knowing to what. A big white cloud came up in the sky. It was daybreak. My heart throbbed wildly. Then I seemed to hear a scratching on the wall, but I had heard no sound of footsteps. I listened. The scratching continued. I saw a head appear above the wall. In the dim light I recognized Bob.
He saw me with my face pressed against the bars.
"Silence!" he said softly.
He made a sign for me to move away from the window. Wondering, I obeyed. He put a peashooter to his mouth and blew. A tiny ball came through the air and fell at my feet. Bob's head disappeared.
I pounced on the ball. It was tissue paper made into a tiny ball like a pea. The light was too dim for me to see what was written on it; I had to wait till day. I closed my window cautiously and lay down again in my hammock with the tiny bit of paper in my hand. How slowly the light came! At last I was able to read what was written on the paper. I read:
"To-morrow you will be taken in the train to the county jail. A policeman will be in the compartment with you. Keep near the same door by which you enter. At the end of forty minutes (count them carefully), the train will slacken speed as it nears a junction; then open the door and jump out. Climb the small hill on the left. We'll be there. Keep your courage up; above all, jump well forward and fall on your feet."
Saved! I should not appear before the Assizes! Good Mattia, dear old Bob! How good of Bob to help Mattia, for Mattia, poor little fellow, could not have done this alone.
I re-read the note. Forty minutes after the train starts.... Hill to the left.... It was a risky thing to do to jump from a train, but even if I killed myself in doing so, I would better do it. Better die than be condemned as a thief.
Would they think of Capi?
After I had again read my note, I chewed it into a pulp.
The next day, in the afternoon, a policeman came into my cell and told me to follow him. He was a man over fifty and I thought with satisfaction that he did not appear to be very nimble.
YOU ARE READING
Nobody's Boy (1878)
ClassicsSeperated from his foster mother, Remi starts a journey of the roads of France with Signor Vitalis, who travels with three dogs and a monkey. *This story belongs to Hector Malot. I don't own anything.