Since the objects of imitation are men in action, and these men must be either of a higher or a lower type (for moral character mainly answers to these divisions, goodness, and badness being the distinguishing marks of moral differences), it follows that we must represent men either as better than in real life, or as worse, or as they are. It is the same in painting. Polygnotus depicted men as nobler than they are, Pauson as less noble, Dionysius drew them true to life.
YOU ARE READING
Poetics By Aristotle
Non-FictionHello ladies and gentlemen, here are the parts I feel are most relevant and insightful to storytelling, creative writing, worldbuilding, and otherwise similar creations of drama, and, therefore, relevant and insightful to Wattpad.