Act One, Scene One
The boy
Approaches,
A single bag –
Just one bag –
Hanging from his shoulder
(Not strapped across
The front him
Like armor,
But just hanging
From his one shoulder,
Chest exposed
And vulnerable.)
He steps overShattered glass,
The ground glittering
With it
Like confetti from a
Party.
(Who'd wanna go to a party
Here?
He wonders
With each
Cautious
Step.)
He takes note
Of the broken
Window above.
Maybe he also
Takes a
Sigh, a breath sucked in deep
To steady himself
ready himself
Or not.
There's someone with him,
Too.
Non-descript 'cause
It doesn't matter
Who.
Just a grown-up,
Could be
Any
Grown-up, all the same
In their suits,
All suited
(Unsuitable),
Carrying a bag of his own,
But his is
Square
And hard
And gripped with a
Firm hand held in a
Fist
Like a hand that
Battles,
Positioned defensively.
(Or is it offensively?)
His free hand grips the door
Now,
Wooden,
De-stressed
(Destroyed)
And opens it
And he speaks to the boy,
The only lines of this
Scene:
"Home."
Scene Two
Takes us inside
The home
YOU ARE READING
Razel Razel (and the Others at The Gates)
AcakWelcome to The Gates, a home for orphaned and abandoned boys. Leading you on a rather unconventional tour --a tour that includes photographs, poetry, and revealing bits and pieces of trash that he has collected (and, yeah, sometimes stolen), is our...