DAILY, as I continued my attendance at the seminary of Mdlle. Reuter, did I find fresh occasions to compare the ideal with the real. What had I known of female character previously to my arrival at Brussels? Precious little. And what was my notion of it? Something vague, slight, gauzy, glittering; now when I came in contact with it I found it to be a palpable substance enough; very hard too sometimes, and often heavy; there was metal in it, both lead and iron.
Let the idealists, the dreamers about earthly angel and human flowers, just look here while I open my portfolio and show them a sketch or two, pencilled after nature. I took these sketches in the second-class schoolroom of Mdlle. Reuter's establishment, where about a hundred specimens of the genus "jeune fille" collected together offered a fertile variety of subject. A miscellaneous assortment they were, differing both in caste and country; as I sat on my estrade and glanced over the long range of desks, I had under my eye French, English, Belgians, Austrians, and Prussians. The majority belonged to the class bourgeois; but there were many countesses, there were the daughters of two generals and of several colonels, captains, and government EMPLOYES; these ladies sat side by side with young females destined to be demoiselles de magasins, and with some Flamandes, genuine aborigines of the country. In dress all were nearly similar, and in manners there was small difference; exceptions there were to the general rule, but the majority gave the tone to the establishment, and that tone was rough, boisterous, masked by a point-blank disregard of all forbearance towards each other or their teachers; an eager pursuit by each individual of her own interest and convenience; and a coarse indifference to the interest and convenience of every one else. Most of them could lie with audacity when it appeared advantageous to do so. All understood the art of speaking fair when a point was to be gained, and could with consummate skill and at a moment's notice turn the cold shoulder the instant civility ceased to be profitable. Very little open quarrelling ever took place amongst them; but backbiting and talebearing were universal. Close friendships were forbidden by the rules of the school, and no one girl seemed to cultivate more regard for another than was just necessary to secure a companion when solitude would have been irksome. They were each and all supposed to have been reared in utter unconsciousness of vice. The precautions used to keep them ignorant, if not innocent, were innumerable. How was it, then, that scarcely one of those girls having attained the age of fourteen could look a man in the face with modesty and propriety? An air of bold, impudent flirtation, or a loose, silly leer, was sure to answer the most ordinary glance from a masculine eye. I know nothing of the arcana of the Roman Catholic religion, and I am not a bigot in matters of theology, but I suspect the root of this precocious impurity, so obvious, so general in Popish countries, is to be found in the discipline, if not the doctrines of the Church of Rome. I record what I have seen: these girls belonged to what are called the respectable ranks of society; they had all been carefully brought up, yet was the mass of them mentally depraved. So much for the general view: now for one or two selected specimens.
The first picture is a full length of Aurelia Koslow, a German fraulein, or rather a half-breed between German and Russian. She is eighteen years of age, and has been sent to Brussels to finish her education; she is of middle size, stiffly made, body long, legs short, bust much developed but not compactly moulded, waist disproportionately compressed by an inhumanly braced corset, dress carefully arranged, large feet tortured into small bottines, head small, hair smoothed, braided, oiled, and gummed to perfection; very low forehead, very diminutive and vindictive grey eyes, somewhat Tartar features, rather flat nose, rather high-cheek bones, yet the ensemble not positively ugly; tolerably good complexion. So much for person. As to mind, deplorably ignorant and ill-informed: incapable of writing or speaking correctly even German, her native tongue, a dunce in French, and her attempts at learning English a mere farce, yet she has been at school twelve years; but as she invariably gets her exercises, of every description, done by a fellow pupil, and reads her lessons off a book concealed in her lap, it is not wonderful that her progress has been so snail-like. I do not know what Aurelia's daily habits of life are, because I have not the opportunity of observing her at all times; but from what I see of the state of her desk, books, and papers, I should say she is slovenly and even dirty; her outward dress, as I have said, is well attended to, but in passing behind her bench, I have remarked that her neck is gray for want of washing, and her hair, so glossy with gum and grease, is not such as one feels tempted to pass the hand over, much less to run the fingers through. Aurelia's conduct in class, at least when I am present, is something extraordinary, considered as an index of girlish innocence. The moment I enter the room, she nudges her next neighbour and indulges in a half-suppressed laugh. As I take my seat on the estrade, she fixes her eye on me; she seems resolved to attract, and, if possible, monopolize my notice: to this end she launches at me all sorts of looks, languishing, provoking, leering, laughing. As I am found quite proof against this sort of artillery—for we scorn what, unasked, is lavishly offered—she has recourse to the expedient of making noises; sometimes she sighs, sometimes groans, sometimes utters inarticulate sounds, for which language has no name. If, in walking up the schoolroom, I pass near her, she puts out her foot that it may touch mine; if I do not happen to observe the manoeuvre, and my boot comes in contact with her brodequin, she affects to fall into convulsions of suppressed laughter; if I notice the snare and avoid it, she expresses her mortification in sullen muttering, where I hear myself abused in bad French, pronounced with an intolerable Low German accent.
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The Professor
General FictionThe first of Charlotte Bronte's works. A story of William Crimsworth from his perspective on his maturation, career, and relationships.