THE young Anglo-Swiss evidently derived both pleasure and profit from the study of her mother-tongue. In teaching her I did not, of course, confine myself to the ordinary school routine; I made instruction in English a channel for instruction in literature. I prescribed to her a course of reading; she had a little selection of English classics, a few of which had been left her by her mother, and the others she had purchased with her own penny-fee. I lent her some more modern works; all these she read with avidity, giving me, in writing, a clear summary of each work when she had perused it. Composition, too, she delighted in. Such occupation seemed the very breath of her nostrils, and soon her improved productions wrung from me the avowal that those qualities in her I had termed taste and fancy ought rather to have been denominated judgment and imagination. When I intimated so much, which I did as usual in dry and stinted phrase, I looked for the radiant and exulting smile my one word of eulogy had elicited before; but Frances coloured. If she did smile, it was very softly and shyly; and instead of looking up to me with a conquering glance, her eyes rested on my hand, which, stretched over her shoulder, was writing some directions with a pencil on the margin of her book.
"Well, are you pleased that I am satisfied with your progress?" I asked.
"Yes," said she slowly, gently, the blush that had half subsided returning.
"But I do not say enough, I suppose?" I continued. "My praises are too cool?"
She made no answer, and, I thought, looked a little sad. I divined her thoughts, and should much have liked to have responded to them, had it been expedient so to do. She was not now very ambitious of my admiration—not eagerly desirous of dazzling me; a little affection—ever so little—pleased her better than all the panegyrics in the world. Feeling this, I stood a good while behind her, writing on the margin of her book. I could hardly quit my station or relinquish my occupation; something retained me bending there, my head very near hers, and my hand near hers too; but the margin of a copy-book is not an illimitable space—so, doubtless, the directress thought; and she took occasion to walk past in order to ascertain by what art I prolonged so disproportionately the period necessary for filling it. I was obliged to go. Distasteful effort—to leave what we most prefer!
Frances did not become pale or feeble in consequence of her sedentary employment; perhaps the stimulus it communicated to her mind counterbalanced the inaction it imposed on her body. She changed, indeed, changed obviously and rapidly; but it was for the better. When I first saw her, her countenance was sunless, her complexion colourless; she looked like one who had no source of enjoyment, no store of bliss anywhere in the world; now the cloud had passed from her mien, leaving space for the dawn of hope and interest, and those feelings rose like a clear morning, animating what had been depressed, tinting what had been pale. Her eyes, whose colour I had not at first known, so dim were they with repressed tears, so shadowed with ceaseless dejection, now, lit by a ray of the sunshine that cheered her heart, revealed irids of bright hazel—irids large and full, screened with long lashes; and pupils instinct with fire. That look of wan emaciation which anxiety or low spirits often communicates to a thoughtful, thin face, rather long than round, having vanished from hers, a clearness of skin almost bloom, and a plumpness almost embonpoint, softened the decided lines of her features. Her figure shared in this beneficial change; it became rounder, and as the harmony of her form was complete and her stature of the graceful middle height, one did not regret (or at least I did not regret) the absence of confirmed fulness, in contours, still slight, though compact, elegant, flexible—the exquisite turning of waist, wrist, hand, foot, and ankle satisfied completely my notions of symmetry, and allowed a lightness and freedom of movement which corresponded with my ideas of grace.
Thus improved, thus wakened to life, Mdlle. Henri began to take a new footing in the school; her mental power, manifested gradually but steadily, ere long extorted recognition even from the envious; and when the young and healthy saw that she could smile brightly, converse gaily, move with vivacity and alertness, they acknowledged in her a sisterhood of youth and health, and tolerated her as of their kind accordingly.
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The Professor
General FictionThe first of Charlotte Bronte's works. A story of William Crimsworth from his perspective on his maturation, career, and relationships.