Kant Stories

Onde Apollo, um dos maiores mc's da cena, vai fazer uma palestra a USP, e acaba sendo atraído por uma estudante de psicologia.

Short story about dialogue, quarrel, war and peace. And love. Written with the help of Anthropic Claude and Mistral.

What the hell was it ? And how we don't know what we can't know.

"It was a gift from Babe." Bison stilled at the revelation, his eyes fixed on Kant's face which had gone soft as he continued fingering the bracelet gently. Fadel made sure Bison didn't make any mistakes when they were on a job, took care of him, within reason, but he'd never gifted him anything and Bison was sure that he'd never had that expression on his face when thinking or talking about him. A wave of jealousy swept through Bison. What was it like to be loved like that? He looked back up at Kant and couldn't help but wonder if maybe someday Kant would look at him like that. They were building something, weren't they? So maybe it wasn't too much to hope.

My research on ethical decision making, and the thought process behind our decisions. (Warning, my research contains the mention of suicide and death, etc.)

In philosophical anthropology there have always been dilemmas of all kinds, where much has been speculated about the nature and the notion of man itself, questioning what the human being is specifically and what characterizes and identifies him as a person and living being. . So the following question arises in relation to what man is: Is the claim that man is a creation of culture and society plausible, or is there something more to it? Next, this question will be answered and argued against, where it will be affirmed that man, in fact, does have a nature, contrary to what Marx and other philosophers with the same ideology affirm.

¿De donde deduzco la existencia de la alma de los demás? ¿La existencia de Dios? De los efectos: del principio de causalidad. Por lo tanto, destruyendo la cognición a priori, destruyendo la certeza de todo lo que no cae bajo mis sentidos, ¿qué me queda? Nada mas que la apariencia de los sentidos. Las apariencias tampoco pues se necesita un principio necesario. La razón no viene de los sentidos, tiene que ser necesaria y universal, mientras que los sentidos son particulares y contingentes. No hay certeza sino es por medio de un principio que no viene de los sentidos y que es necesario (es decir, que no puede ser de otra manera) y también universal. La destrucción de la cognición a priori trae consigo también la destrucción de la cognición a posteriori. Ya que la cognición a posteriori no existe sino mediante un principio de razón, el cual debe ser necesario y universal y por esa razón no puede venir de los sentidos. El principio "toda cognición humana tiene origen solo de los sentidos" termina en una duda absoluta. ¿Pero qué digo en una duda?, la duda no podría subsistir sin un principio de razón. La razón no viene de los sentidos.

Have you ever watched the interpretive dance of the dead? Or swung yourself down into deep water? Ever seen death in a dream? Distance stretches between all of us, but writing brings us together. This is a collection of poetry I have written throughout college for courses or just because. It grapples with feelings of love, distance, and images from my day to day life.

it's basically based of of the first book of the Cirque Du Freak book. but heres my summary: It's Friday. Sara's favorite day of the week. After school is over, her friend, Jake, got a mysterious invitation. it's for a a show called The Freak Mania. It's Saturday evening. It's the night of the Freaks. It lasted about an hour in a half. After the show, Sara's, friend, Jake, disappears. Jake asks to be a vampire. And then, Jake, begged the vampire slayer to make him become one. After, Jake, becomes a vampire, chaos erupts. Sara doesn't know. Sara gets into a fight at school and then is rushed to the hospital. About three to nine days later, Sara, is let out. Sara decides to go back to the theater to see if, Jake, is there. The vampire slayer comes out. Jake comes out onto the stage. He harreses, Sara. Jake and Sara get into a big fight. Soon, Jake, has won. After the fight, Jake, kills one of arch enemy. Sara is seriously injured. Soon after the fight, Jake, asks to return to normal. it is a very dangerous way to do it, but, Jake, approves. Jake soon returns to normal and goes to visit, Sara. And she is also on her death bed. Will Sara survive, or will Jake have to go through a life or death situation?

Este ensayo está basado en el texto "Fundamentación de la Metafísica de las Costumbres" y "Respuesta a la pregunta: ¿Qué es la Ilustración?". Es la interpretación que le da la autora a Kant y sus estudios de la "máxima".

it's true

I wrote this essay long ago. just let me think that this isn't a shit. thanks.

Cuando estaba por llegar a mi universidad para mi graduación, algo ocurre y reencarne en un juego donde todos son poderosos pero yo estoy en el promedio de los estándares de este mundo. Así que, al ver que no tenía posibilidad de que viviera tranquilo sin que tuviera que adentrarme a la historia original, ayudare al protagonista y conseguiré un final feliz donde viva sin que el mundo pueda destruirse al día siguiente. Sin embargo, habrá situaciones en las que ni con ayuda de la información del juego podre estar tranquilo puesto que...¡Todos son más poderosos de lo que recuerdo! ¿Podré vivir realmente una vida decente o moriré en la primera etapa del juego?