I painted a field of crushed lilacs against dead green for my sister's funeral.
She died at the swell of a sunbathed winter morning.
I was twenty, and she was seventeen.
The last time I saw her face, is now a
blur against the amber marks of victory
upon her framed portrait.
The sky was a shade of mourning gray,
clogged in the failed birthday wishes of mortals.
I once saw a field of dead sunflowers
growing inside her ribcage.
The white scar on her left cheek burned
golden in the butterfly laughter.
Stories would grow on the iron railing
in the thick air of honeysuckle summers.
We would paint our skies red,
and etch crescents of honeyed pain
in the curves of our thighs.
Phoebe wasn't my adopted sister at all.
I've always thought of her as something more.
Something as profound as the blood running through my fingers,
Much like the drenched fairy tales I've
woven inside my little pillow castle.
Poetry was the cheap version of my sweet Phoebe.
A charcoal sketch of buried chrysanthemums between
the growing spaces of her last suicide note.
She weaved her falling stars and shipwrecked princes
in the stained pages of her book.
The bloodstained tiles and her name lipsticked
across my maroon wrists.
Time wasn't real when her mouth bled,
and her stars wrote the art of living.
Her world died before the sun, buried
in my field of blistered eucalyptus nostalgia.
Phoebe knew she'd die right there, right
now, when the remembrance burnt
the collarbones of her last sunlight.
So I let her die in the poetry of unseen chaos.
I let her believe she couldn't weave the stars together.
Her evenings were charcoal like the last sketch
I painted her dancing in a field of withered lilacs.
But I didn't let her give up on writing.
- A shadow of memories, a winter of red death.
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Poetrylike another silhouette washed in the blue of the November afterglow - a dying ache of living ... || caffeinated afterthoughts and lovers' vomit ||