Greyson once bought a painting as my birthday present.
It was another charcoal sketch, I thought;
the ones Grey is always crazy about.
But this time, it was an oil painting:
The rush of apricot light against the chaos
of vibrant, fleeting hues; a nude woman, her
features almost softened in the glow
was lying on the grass, melding in the fabric
of the morning light.
When Daisy saw the art piece standing on the
dark console table, she swayed her hips.
I came behind her, twisting my arms around
her waist, and felt the echo of her movement.
There was a momentary afternoon haze:
the stretch of green, a piece of the sky,
the smell of the dipping sun, the rush of desire.
It came like another slow, warm thrill of
homecoming, reeking of nicotine.
Daisy didn't speak. Her grip around my wrists
loosened and her palm was against my shoulders;
My body was half lying on the table and
my face was turned towards the painting.
The mahogany felt slightly coarse and
cool against my cheek.
The skirt moves higher, rough tingles
against moisturized skin, slender
fingers making soft patterns, a gasp
cutting through the autumn air.
The colors were blurring against the
stark canvas, and suddenly the woman
lying on the grass became the woman
over me, rocking her body against mine
so slowly, my brain was almost on the
verge of exploding in meteor strikes.
There was the soft rustle of clothes,
the hard wince of zippers, and the
gentle thud of dresses thrown somewhere
in the corner of the room.
In an eye's flash, the studio of an artist
became the foreplay of a Victorian novel.
The frenzied lull and the maddening
gasps overcame our senses,
devouring the last ounce of sensibility.
My eyes swallowed the chaos of the art piece
in front of me; Daisy's fingers were excruciatingly
slow, almost making me cry and burst open.
The colors were blurring and the dipping sun
was already savored by the crescendo of lust.
I felt her against me, warm and swollen,
almost like the opening of a bud in the
onset of summer; like wine slipping through
burgundy lips, trickling down the skin.
The drive was fast and the push came harder.
There was a slap of skin and I could feel
my cheek getting bruised on the creaks of the wood.
Her hand threaded through my hair, while the other
gripped my hips tightly. The smell of wood and
nicotine drove me crazy. The nails digging into
my skin, gently coming down my collarbone was
enough for me. I was done.
When she collapsed atop me, burying her face in
my hair, my cheek started to get hurt against the
mahogany. The sweet wild desires blurred the chaos.
It didn't matter that Daisy was Greyson's wife
or that this table had never
experienced anything like this before.
A sudden shatter of a flower vase made something
dawn on me: we just made love on an art piece, or
maybe it was the colors that seethed the chaos.
– there is a mark of love on the table, a hue redder than our blood.
━━━━━━━━━━━━
A/N: In writing "make love on art," I stepped outside my usual comfort zone to explore mature themes intertwined with art, transgression, and passion. This poem was an experiment in capturing the raw and intense emotions that art can evoke. I typically don't write about such explicit scenes, but I wanted to challenge myself to express the rawness of human emotion and connection through the prism of art.
I chose not to include a specific trigger warning at the beginning of this poem, as I had previously mentioned in the introduction that some content might be mature. I appreciate your understanding and engagement with the piece, and I hope it offers a nuanced reflection on the complexities of love, desire, and artistic expression. Thank you for reading.
Affectionately,
Sreeja.
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Poetrylike another silhouette washed in the blue of the November afterglow - a dying ache of living ... || caffeinated afterthoughts and lovers' vomit ||