The Crown Prince Is An Idol Part 1

9

Chapter 9

The idol survival shows that people are familiar with are generally similar in outline.

From level tests and final ranking evaluations to on-site rounds played as team battles,.

<Idol Producing Simulation> also looked like an ordinary survival game on the outside.

But when you actually open the lid, you will realize that it was very different in many ways, even in the smallest details.

A good example of this is how training sessions, which are usually held with trainees of the same rank, have been twisted in this way.

'It's the same as it was when I first heard the news. Nothing has changed.'

The trainees who decided to appear on <Idol Producing Simulation> probably had some expectations about what to expect.

This program will also follow the basic steps of idol survival.

But didn't they announce at the first meeting that they were taking away their names?

Are they saying that practice sessions are divided by cell rather than by level?

As variables exploded one after another, the mentality of young people could not be sound.

'There's a reason why other survival shows divide sessions by rank.'

Since their survival is at stake, trainees unconsciously compare themselves to others.

This is something that does not change, like the providence of nature.

What would happen if we divided boys with such habits not by skill level but in a way that allowed the top and bottom to meet?

“Turn right here! Five, six, seven, and eight.”

“Ho, heok! ”

“The movements are too fast―!”

“How do you follow that? ”

It's been two days since we started practicing in cell-by-cell sessions.

I took a deep breath and wiped the beads of sweat running down my neck.

There were also quite a few cries of pain that went beyond simple gasps from the surrounding area.

The ones who made that scream were mostly underground trainees who had received Tiers 3 and 4.

It's hard to keep up with the choreography of the theme song <Winner>, which boasts a tight beat.

They are watching in real time the vastly different skills between themselves and the mainstream trainees sitting in the front of the large practice room.

As the choreography training progressed, the number of people kneeling and pulling their hair out at the back of the practice room increased.

Since they already have an underground status, they have to use numbers instead of names.

The mental state exploded even more as they watched the backs of people who were far superior to them.

As a result, the harsh criticism that inevitably appears in survival shows naturally followed.

“Shouldn’t the kids who went underground be more desperate? If someone saw you, they’d think you got a higher grade, but you just dance like that.”

“If you guys slip up even a little bit here, you’re eliminated right away. You can just do one stage and go home, okay? Is that why you came out here? ”