MATURE
NOT PROOFREADVirgin Tom.
You were sat at the desk in Tom's dorm, an organised chaos painting the delicate wood, parchment splayed out, some ink dribbles showing the intension and concentration of what you were doing. You scribbled down another few things, dusting off the side of your hand with your other hand's fingers, not wanting to further smudge the words on the paper.
It wasn't necessarily uncommon for you to be in Tom's dorm, you two were put together in a Defence Against The Dark Arts project, so you'd been spending a fair amount of time by his side throughout the past few weeks. Tom's dorm was always very well put together, he had a lot of space since he had no one to share it with, the walls decorated in a dark shade of green to show the commitment to his house — although Tom rather disliked the scheme. His bed sheets were dark, black to be exact. He'd come into a large sum of money unexpectedly during the summer, when asked about it he told people that it was an inheritance from his late grandparents. With this money he had been able to cover the expensive of some nice silk sheets for his bed, along with some pillows to accompany it.
You turned to look at him, your eyes traveling over his face as he stares at your handwriting on the paper, something he was trying to learn was what someone's writing style could mean — he was critical and observational like that. "Well I think that shall do it for our hexes section, is there a spell you would prefer to focus on for the jinxes?"
Tom lifted his eyes from the paper, moving his head to face yours. His eyes never quite gave away what his emotions were hiding under the mask of his face, but they were a rather nice sight to see. "Impedimenta could be of our interest."
"A spell to slow someone down to prepare an attack?" You paused, bringing the feather of the quill to your lips, brushing it over the pigmented hue in contemplation. "I am not against the suggestion."
The Riddle boy — or more alike to a man, nods his head with one simple movement, not wishing to overdo it and show too much involvement in the work you two are doing together. "Then that shall do it."
"Although," you begin, turning your body on his chair to face him better, wanting to have him a more invested part of the conversation, and figuring your attention was the only way to get him to be so. "I rather enjoy Levicorpus, it may be overused, but it is such a classic."
Tom failed to see such an argument against his option, but he brushed it aside, if you wanted to work on the Levicorpus, then he supposed you would. He didn't want to say anything, he was too busy trying to understand the feelings in his body, the rushing through his veins, and maybe other areas of his body.
His flesh was burning, and he truly wasn't quite sure as to why. Riddle is not incompetent, nor oblivious to those bodily functions, but one so overwhelming, one that he cannot push down or dismiss with a simple thought of something else? Now that was confusing. He felt his breath get tighter in his throat, like it had morphed into a piece of glass and had began to scrape the inside of his oesophagus, such a similar, yet unfamiliar sensation. Too much for someone with little experience.
He thought about it for a moment as you looked away to get back to your work, your hand so delicately holding the quill, the way the feather dances along with your movements; so precious, so graceful. So you. Tom brought his hand up, allowing his heart to take control of his body. He reached out for your face, placing but only a finger to your chin and using the pressure to bring your face back to his.
The act of his finger, even if only one, was so intimate, and intimidating all in one. If the touch made up of only one bone could have your heart shoot up into your mouth, what could two or possibly three do? You dropped the quill, placing it down on the parchment as your head was moved to face him.