17th Century
(It was the day after the haldi ceremony and everybody were getting ready for the mehendi function. The palace is decorated in flowers and it looks almost like a garden. Dhruv and Tara are monitoring the decoration works done by the royal servants.)Tara - Dhruv, tum subha se kaam kar rahe ho... Itna chinta karne ki awashyakta nahi hai. Daas daasiya hai. Chaliye aap humare saath. Sarva pratham bhojan grahan karte hai. Phir mehendi ki rasam ke liye tayyar bhi hona hai.
Dhruv - Tara... bhaiji ne hum dono ka shaadi karva diya hai. Toh mein bhi unke shaadi mein kaam karu toh koi nuksaan thodi na hota. Aur wese bhi, mere saale ke shaadi hai 😉
Tara - Aaiye... sarva pratham bhojan grahan karo. Phir kaam karo...
Dhruv - Kabhi kabaar nah... tum ekdam humare yahaan ki biwiyon ki tarha bartaav karti ho. Chalo phir...
(Dhruv goes to the royal dining area with Tara. It was filled with food. Tara served food for Dhruv.)
Dhruv - Tara, mein khud...
Tara - Nahi... aaj hum apne pati ko keval bhojan parosenge hi nahi... apne haathon se khilayenge bhi...
(Tara took the plate of food to Dhruv)
Dhruv - Tara, yaar kya kar rahi ho... yeh 21 sadi todi hai. Yahaan toh living CCTV cameras hai. Woh bhi 24 ghante on! Agar kisi neh dekh liya nah, toh bohot problem ho jayega...
(Tara thinks of pulling Dhruv's leg)
Tara - Toh, hum apne pati ke saath prem bhari baatein kare, unke saath prem karte humein koi dekhe, toh kya hoga? 😉
Dhruv - Tara yaar...
(Tara really wanted to make him feel uncomfortable but in the end she orders all the servants to leave)
Tara - EKAANT!
(The servants leave. Tara takes a morsel of food and feeds Dhruv. Dhruv too takes one morsel in his hand but puts that morsel stuck between his lips. Tara understood his intentions. She went closer and closer to him and got the grip of the morsel of food tightly held in between his lips. While enjoying the morsel of food, they had a wet and an intense kiss which they had to break as they heard the sound of footsteps approaching towards them. It was none other than Senapati Samrat Singh. Tara took another morsel of food and fed his husband. She slowly wiped the curries smeared on his lips using the edge of her odhni. Samrat Singh stopped at the doorway and observed the two love birds.)
Samrat Singh - Aah... yeh dono ko saath mein dekh kar hum apna aapa kho raha hai.
(Samrat Singh dreams Tara feeding food to him using her hands. And Tara puts her hand on his shoulder. He loved the way Tara kept her hand on his Shoulder and started to caress her hand with so much love)
Samrat Singh - Pata hai... hum aapse bohot prem karte hai...
Maharaj - Aap kisse prem karte hai Senapati ji?
(Senapati comes to his senses and then only he notices that he's been caressing the hand of Maharaj thinking that it was Tara's hand.)
Samrat Singh - Ma... Ma... Maharaj ji Kshama...
Maharaj - Senapati ji aap humare prashna ka uttar nahi diya. Aap kisse prem karte hai?
Samrat Singh - Woh... woh... Maharaj ji... apni maa se... har putra apni maa se bohot prem karte hai. Humein achanak se apni maa ki yaad aagayi...
Mahaveer - Maa ki yaad aagayi... woh bhi achanak bhojanshala mein aakar? Kyun bhala?
Samrat Singh - Woh... Yuvraj isiliye hai ki humari maa bohot accha bhojan banati thi...
(Even though there happened a huge scene, Dhruv and Tara were left in their own world. Tara was still feeding her pati dev.)
Maharaj - Chaliye Senapati ji. Hum yeh nayi naveli jodi ke prem bhari pal mein koi vigna nahi dalna chahte hai...
(Senapati had to leave even though he didn't want to.)
Dhruv tara room
(After the breakfast scene, Dhruv and Tara went to their room and locked the door.)Dhruv - Tara, tum pehele nahane chali jao.
Tara - Theek hai...
(Tara goes inside the bathing area which was separated from the bedroom area using a while silk curtain. Tara, inside the bathing area, changes her royal costumes to to her white bathing costume. And Tara was removing her jewellery. At that time, someone holds her from her back. And the hand slowly removes the golden chain on Tara's waist. The hand touched her skin which gave tickles to Tara. And the hand slowly removed her necklace and kissed her on her neck. And then her earings. And slowly, one by one removed her bangles. That hand belongs to none other than
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TARA'S CHIKITSAK DR DHRUV!
Tara looked at Dhruv. By that time, Dhruv too has changed his clothes into his royal bathing costume which looks like a dhoti. Dhruv lifted Tara in a bridal way and took her to the royal bathtub filled with rosewater and rose petals. Dhruv and Tara get soaked in the water of the royal bathtub together. Still, they were in each other's hands. Dhruv slowly took the sandalwood paste to his hand and applied it on his cheeks. He slowly went closer and closer to Tara. Now he can almost hear the heart beat of Tara. He slowly brushed his cheeks with hers in the most romantic way and Tara too closed her eyes and enjoyed his touch in response. Dhruv then took another considerable amount of sandalwood paste and applied it on her bare waist which is visible in milky white colour. She enjoyed each and every bit of his touch. In return, she touched his bare chest with her hands and applied some sandalwood paste on his chest. They passionately romanced with each other in the royal bathtub until a servant knocked on their door telling that Maharani has asked them to come to the raaj darbaar to select jewellery to wear during the mehendi function.)[MUJHE ZAROOR BATANA AAPKO CHAPTER KAISA LAGA]
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Dhruv Tara - Samay Sadi Se Pare 2.0
RomanceThis story starts up from the moment Dhruv and Tara get married. So, sit back and enjoy your favourite show, Dhruv Tara - Samay Sadi Se Pare in my point of view