This book will contain chapter upon chapter of writing tips for you and all your writing needs!
These tips and tricks can be both from myself and from other sites that I would have searched upon
All websites I have copied from are mentioned before e...
This post was made by thatkatiecooney on Tumblr, or http://thatkatiecooney.tumblr.com/post/157663942098/the-10-elements-of-a-main-character
Please go check them out, and enjoy this chapter
To all the writers who have ever been told "Your characters have to be three dimensional!" or "They should be well-rounded!" and just felt like saying: "What does that even MEAN?! What goes into a 3-dimensional character? Specifically? And how do you go about creating one?!"
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Good news. There's a way.
Great main characters - heroes, protagonists, deuteragonist, whatever you want to call them - have ten things in common. Ten things that are easily developed, once you know what to create within your character. So no one will ever be able to tell you "needs to be more three dimensional!" ever again. Ha.
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1) Weaknesses: Main characters should be flawed, but I'm not saying this because it will make them more realistic (though it will) - I'm saying they need to be flawed because if they're not, they shouldn't be a main character. Story is another word for change, or more accurately, character growth. Not character as in "fictional person", character meaning "heart and soul". Story is someone's character changing, for better or worse. Main characters at the beginning of the story are lacking something vital, some knowledge of themselves, some knowledge of how to live a better life, and this void is ruining their lives. They must overcome these weaknesses, if they're going to become complete, and reach a happy ending. There are two types of weaknesses: Psychological and Moral. Psychological ones only hurt the main character. Moral ones cause the main character to hurt other people. Easy.
2) Goal: Characters exist because they want something. Desiring something, and the fight against opposition for that desire, is the lifeblood of story; and because character is story, it's also desire that can breathe life into words on a page, and begin the process of creating a real person in a reader's mind. It's this 'desire for something' that sparks that first connection between reader and character. It makes us think "Well, now I have to find out if this person gets what they want." This is a powerful link. (How many mediocre movies do we suffer through, when we could easily stop watching, because we're still trapped by that question of "what happens?") So if this is powerful enough to keep people watching an annoying movie, imagine how powerful it can be in an excellent story.
