The Lost Prince (1915)

XXX . THE GAME IS AT AN END

So long as the history of Europe is written and read, the unparalleled story of the Rising of the Secret Party in Samavia will stand out as one of its most startling and romantic records. Every detail connected with the astonishing episode, from beginning to end, was romantic even when it was most productive of realistic results. When it is related, it always begins with the story of the tall and kingly Samavian youth who walked out of the palace in the early morning sunshine singing the herdsmen's song of beauty of old days. Then comes the outbreak of the ruined and revolting populace; then the legend of the morning on the mountain side, and the old shepherd coming out of his cave and finding the apparently dead body of the beautiful young hunter. Then the secret nursing in the cavern; then the jolting cart piled with sheepskins crossing the frontier, and ending its journey at the barred entrance of the monastery and leaving its mysterious burden behind. And then the bitter hate and struggle of dynasties, and the handful of shepherds and herdsmen meeting in their cavern and binding themselves and their unborn sons and sons' sons by an oath never to be broken. Then the passing of generations and the slaughter of peoples and the changing of kings,—and always that oath remembered, and the Forgers of the Sword, at their secret work, hidden in forests and caves. Then the strange story of the uncrowned kings who, wandering in other lands, lived and died in silence and seclusion, often laboring with their hands for their daily bread, but never forgetting that they must be kings, and ready,—even though Samavia never called. Perhaps the whole story would fill too many volumes to admit of it ever being told fully.

But history makes the growing of the Secret Party clear,—though it seems almost to cease to be history, in spite of its efforts to be brief and speak only of dull facts, when it is forced to deal with the Bearing of the Sign by two mere boys, who, being blown as unremarked as any two grains of dust across Europe, lit the Lamp whose flame so flared up to the high heavens that as if from the earth itself there sprang forth Samavians by the thousands ready to feed it—Iarovitch and Maranovitch swept aside forever and only Samavians remaining to cry aloud in ardent praise and worship of the God who had brought back to them their Lost Prince. The battle-cry of his name had ended every battle. Swords fell from hands because swords were not needed. The Iarovitch fled in terror and dismay; the Maranovitch were nowhere to be found. Between night and morning, as the newsboy had said, the standard of Ivor was raised and waved from palace and citadel alike. From mountain, forest and plain, from city, village and town, its followers flocked to swear allegiance; broken and wounded legions staggered along the roads to join and kneel to it; women and children followed, weeping with joy and chanting songs of praise. The Powers held out their scepters to the lately prostrate and ignored country. Train-loads of food and supplies of all things needed began to cross the frontier; the aid of nations was bestowed. Samavia, at peace to till its land, to raise its flocks, to mine its ores, would be able to pay all back. Samavia in past centuries had been rich enough to make great loans, and had stored such harvests as warring countries had been glad to call upon. The story of the crowning of the King had been the wildest of all—the multitude of ecstatic people, famished, in rags, and many of them weak with wounds, kneeling at his feet, praying, as their one salvation and security, that he would go attended by them to their bombarded and broken cathedral, and at its high altar let the crown be placed upon his head, so that even those who perhaps must die of their past sufferings would at least have paid their poor homage to the King Ivor who would rule their children and bring back to Samavia her honor and her peace.

"Ivor! Ivor!" they chanted like a prayer,—"Ivor! Ivor!" in their houses, by the roadside, in the streets.

"The story of the Coronation in the shattered Cathedral, whose roof had been torn to fragments by bombs," said an important London paper, "reads like a legend of the Middle Ages. But, upon the whole, there is in Samavia's national character, something of the mediaeval, still."