I spent the summer solstice
Years ago
Working with my chisels on the stone.
I carved without an image
In my mind
Trusting like a swimmer in the sea
Who knows with every sinew, every breath,
That I or you or anybody else
Can meet somewhere
In leaning, listening mode,
That form
That shape
That curve
Those many curves
Which simultaneously overlay.
No static image,
Only what recurs and reaches out and then recedes.
Our light and shadows play
Beyond what we perceive.
For we are in the stone and in the sea.
It is our heart that shapes and makes the curves
Tutored by the waves
And mystery.
Upon that solstice night
I carved away
All excessive stone, unwanted rock,
And when the raven came
I just stood back,
Covered in dust,
And bowed,
In silence and in awe.
I still remain today in awe of him,
A giant bird who sat upon the wall,
Filling my sight, my heart, my work, my all,
With more than hope,
With certainty and
I don't know truth
But I know truly this
That there is truth
And that is what he brings
May truth
In all its beauty
Come to you
This solstice
In the graceful raven's
Wing
Where is no fear
Just all-consuming awe
Core-warming
Light-bathing
When you see him.
****************************************************
Note
Raven flew from the arc to look for land for Moses before the doves set forth.
Raven brought bread and cheese for Elijah in his cave.
Raven brings practical help.
I have chosen a photo of the stone that shows a kiss of evening light through Ken's very old white lilac tree on the cheek of the meditator, but there are many other images in the stone, mostly birds. They interlace like Celtic knotwork (as in the prayer-carpet pages of the books of Kells and Lindisfarne), as a stepping-in place, because no edge is an end, it is always a meeting place.
June 25, 2019.
YOU ARE READING
BIRDSONG
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