HARIHARESHWARI 4 : PARIKSHA

FIRST MEET

□□ 21 YEARS LATER □□

The prince of Amaravati, Amar was a total heartthrob, he could steal the hearts of women the very moment he entered the room.

After all he had the looks of Shreeshaktishwar and the charms of Harihareshwari combined together in one nevertheless.

On the other hand, the daughter of Chandrakant and Vilasvati, Devika had grown into a very beautiful young lady, not only did she possess good looks, she was very smart and knowledgeable.

A perfect example of beauty with brains and she would let no one tell her what she could do or what she couldn't. She was kind, generous and courageous.

One of Devika's cousin, Malti was getting engaged to Aditya, Amar's Gurukul friend. So obviously Amar was the special guest in their wedding being the prince of Amaravati.

As it was Mahamantri Chandrakant's home, he made sure that Amar's welcome should be done properly. Thus he asked his daughter Devika to do it.

As Amar came and stood at the entrance all the young ladies almost swooned seeing him. But his eyes were looking for Devika, as they were finally meeting after years.

Although their was a lot of noise going around, Amar could figure out the sound of a payal, not just any payal, the payal of Devika as she walked towards him.

Amar saw her feet, which were very similar to that of Mata Laxmi and then looked at her face, sweet yet fierce looking like Mata Parvati.

Devika too looked at his face as she stood in front of him, it was too familiar, like it was her own but how could this be possible ? She felt a sense of hopefulness seeing Amar for some reason.

She was brought out of her thoughts when a single tear streamed down her face, luckily no one saw as all were lost seeing Amar, thus she quickly wiped it away.

Amar did see her tear and smiled sadly at her, a smile which was too familiar to Devika, thus making her smile too as she put Tilak on his forehead.

Touching his skin gave a satisfaction to her heart, like she was longing to touch her for years. She then did his Aarti.

Although all the young ladies had eyes fixed on him, Amar's eyes were fixed on Devika. It was as if he was trying to capture all the moments in his eyes, fearing that it may not exist in the next second.

"Aapka swagat hai Rajkumar." Devika said.

"Dhanyawaad, mera itna sundar swagat karne hetu." Amar said, his voice felt too familiar to Devika, but she didn't figure out why.

"Chaliye Rajkumar, aapke liye aur bhi vyavastha humne andar karwayi hai." Chandrakant said.

Amar walked in and the more and more young ladies lost their breath seeing him as they glanced at him from behind the pillars.

Amar noticed that they were watching him, he looked at them and then winked, causing them to blush like anything.

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A/N

ON THE REQUEST OF Ananya166 I AM UPDATING 2 MORE CHAPTERS. SO ENJOY.

WE ALL KNOW THE CONCEPT OF PURUSH AND PRAKRITI.

HARIHARESHWARI IS THE PRAKRITI THAT COMES FROM PURUSHATVA (HARIHAR) AND SHREESHAKTISHWAR IS THE PURUSH THAT COMES FROM PRAKRITI (SHREE-SHAKTI)

THIS JUST SHOWS THAT THERE IS FEMININE ASPECTS LIKE KINDNESS, GENTLENESS IN EVERYONE. AND MASCULINE ASPECTS LIKE ANGER ETC IN EVERYONE.

MATA PARVATI, THE ADI-SHAKTI, THE ORIGINAL FEMININE, SHOWS HER FEMININE ASPECT WHEN SHE IS GAURI, AND IS MOTHERLY, LOVING, CARING ETC. BUT THE SAME MATA PARVATI SHOWS MASCULINE ASPECTS WHEN SHE ENDS ENTIRE CIVILISATIONS IN HER ANGER AS MAHAKALI.

AND MAHADEV, HE IS RENOWNED FOR HIS ANGER, THIS IS HIS MASCULINE QUALITY. BUT AGAIN HE IS BHOLENATH, KIND, GENEROUS AND LOVING, THIS IS HIS FEMININE SIDE.

SO YES ALL CREATURES NOT ONY HUMANS HAVE BOTH FEMININE AND MASCULINE ASPECTS TO THEM IRRESPECTIVE OF GENDER.

SO SEGRAGATING THESE ON THE BASIS OF GENDER IS WRONG AND THIS WHAT LEADS TO PEOPLE SAYING THAT GIRLS SHOULDN'T RAISE THEIR VOICE AND BOYS SHOULDN'T CRY TYPE OF SHIT.