The Shock of the New

Chapter 25: The New Hollywood

During the terrible days of the Giga Wars, the west coast of the United States suffered immeasurable damage through both bombings and natural disasters, most notably through flooding.

After the W.E.R. had been established however, the area underwent a significant amount of urban renewal with a new megacity built on the remains of the former state of California. This city was named San Angeles and like it's original counterparts, quickly became a major business/entertainment/technology hub for the W.E.R.

This of course, included the Hollywood film industry which was in fact one of the first parts of the former city rebuilt after the founding of the W.E.R. However, like many of the old industries that had been rebuilt for the W.E.R., Hollywood was forced to undergo a few significant changes.

In the old days of Hollywood, before the Giga Wars, Hollywood films had constantly promoted a woke PC liberal agenda that was cancerous to the development and culture of the white race. So the W.E.R. government introduced a new set of rules that all filmmakers (Hollywood or not) had to follow. These rules specified that all films must meet the W.E.R.'s laws of white nationalism and must not pander to woke leftist beliefs or PC culture. Any film that did not meet these strict rules was deemed to be promoting degeneracy and promptly destroyed with all who worked on it punished severely.

One of the first really successful blockbusters to come out of this new Hollywood was the 4 hour action epic, the Triumph of the Saints. A truly gripping tale that proved there existed a place for cinema in the W.E.R. after all, the film told the story of a dystopian future. In this future, thanks to the mass immigration policies of left wing liberal governments and their Jewish overlords, white people have become an enslaved oppressed minority in their own countries, with all their unique art and culture destroyed in order to please the vast waves of immigrants that have invaded and taken over their lands.

In the midst of these dark times, a young aryan man by the name of Luthor Trinity works a mediocre job in a corner shop. One day he and his girlfriend are ambushed by a gang of savage Muslims who rape his girlfriend to death for being a white woman and murder Luthor for being a white man. However, Luthor is contacted by the spirit of Anglo Saxon values, a benevolent God of white people who has chosen him to lead the rebellion against the foreign oppressors who rule over the superior aryan race. Luthor is returned to the world of the living, and granted mystical warrior powers and a sword known as the holy sword of Odin which he first uses to kill the Muslims who murdered his girlfriend, an act which lands him in prison.

While in prison, he meets a political activist named Peter Erikson who has been imprisoned for promoting right wing conservative causes contrary to the rules of the multicultural state. The two of them team up and lead a prison riot which allows them to escape and meet up with other dissatisfied white people and oppressed right wingers. They then form a movement leading the fight for white pride worldwide against the various oppressors. In the process, they're able to make definitive proof that the holocaust never happened public which turns many more on their side. In the film's climax, an epic battle ensues, with Luthor's right wing white nationalist army on one side and the Leftists/non-whites/Jews on the other side with Luthor's army ultimately triumphing. The film ends happily with white supremacism being made the default ideology in the world while the surviving non-whites are made into slave labour and the leaders who held back white people for all those grim years are executed for their horrific crimes.

As soon as the film came out, it was met with absolute praise from the W.E.R. critic scene with many declaring it to be "A true patriotic piece that shows the beauty of white culture" and "Far better than any of the woke liberal crap that Hollywood used to force down our throats."

Many great films soon followed, all approved by the W.E.R. and all promoting the culture and society of the state. Although the cinemas of the world had all closed down, this wasn't a problem in the slightest as Allfilms hosted any and all films the W.E.R. permitted so people could watch them whenever they wanted from inside their homes. Yes, as long as you were white and completely loyal to the W.E.R. in every way, it was a great time to be a filmmaker in the post Giga War era.