30. Welcome to the Land of the Dead

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1st Person
Adira

Imagine the largest concert crowd you've ever seen

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Imagine the largest concert crowd you've ever seen. The amount of people lined up when a Starbucks opens in town. A NFL game during the Super Bowl.

Now imagine that very same field a million times that big, packed with people, and imagine the power has gone out, and there is no noise, no light, no beach ball bouncing out and about, around over the crowd.

Something tragic has happened backstage.

Whispering masses of people are just milling around in the shadows, waiting for a concert that will never start.

If you can picture that, you have a pretty good idea what the Fields of Asphodel looked like.

The black grass had been trampled by eons of dead feet. A warm, moist wind blew like the breath of a swamp. Black trees—Grover told us they were poplars—grow in clumps here and there. The cavern ceiling was so high above us it might've been a bank of storm clouds, except for the stalactites, which glowed faint gray and looked wickedly pointed. I tried not to imagine they'd fall on us at any moment, but dotted around the fields were several that had fallen and impaled themselves in the black grass. I guess the dead didn't have to worry about little hazards like being speared by stalactites the size of booster rockets.

Percy, Grover, and I tried to blend into the crowd, keeping an eye out for security ghouls.

I couldn't help looking for familiar faces among the spirits of Asphodel, but the dead are hard to look at. Their faces shimmer. They all look slightly angry or confused. They will come up to you and speak, but their voices sound like chatter, like bats twittering. Once they realize you can't understand them, they frown and move away.

The dead aren't scary. They're just depressed. Makes sense.

We crept along, following the line of new arrivals that snaked from the main gates toward a black-tented pavilion with a banner that read:

JUDGMENTS FOR ELYSIUM AND ETERNAL DAMNATION

Welcome, Newly Deceased!

Out the back of the tent came two much smaller lines.

To the left, spirits flanked by security ghouls were marched down a rocky path toward the Fields of Punishment, which glowed and smoked in the distance, a vast, cracked wasteland with rivers of lava and minefields and miles of barbed wire separating the different torture areas. Even from far away, I could see people being chased by hellhounds, burned at the stake, forced to run naked through cactus patches or listen to opera music. I could just make out a tiny hill, with the ant-size figure of Sisyphus struggling to move his boulder to the top. And I saw worse tortures, too—things I don't want to describe.

The line coming from the right side of the judgment pavilion was much better. This one led down toward a small valley surrounded by walls—a gated community, which seemed to be the only happy part of the Underworld. Beyond the security gate were neighborhoods of beautiful houses from every time period in history, Roman villas and medieval castles and Victorian mansions. Silver and gold flowers bloomed on the lawns. The grass rippled in rainbow colors. I could hear laughter and smell barbecue cooking.

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