Milan, July 14th, 1831.

10 0 0
                                        

This letter will probably be the last (D.V.) that I shall write to you from an Italian city; I may possibly send you another from the Borromean Islands, which I intend to visit in a few days, but do not rely on this.

My week here has been one of the most agreeable and amusing that I have passed in Italy; and how this could be the case in Milan, hitherto utterly unknown to me, I shall now proceed to relate. In the first place, I immediately secured a small piano, and attacked with rabbia that endless "Walpurgis Night," to finish the thing at last; and to-morrow morning it will be completed, except the overture; for as yet I have not quite made up my mind whether it shall be a grand symphony, or a short introduction breathing of spring. I should like to take the opinion of some adept on this point. I must say the conclusion has turned out better than I myself expected. The hobgoblins and the bearded Druid, with the trombones sounding behind him, diverted me immensely, and so I passed two forenoons very happily.

'Tasso' also contributed to my pleasure, which I have now for the first time been able to read with facility; it is a splendid poem. I was glad to be already well acquainted with Goethe's 'Tasso;' being constantly reminded of it by the principal passages of the Italian poet, whose verse, like that of Goethe, is so dreamy, harmonious, and tender, its sweet melody delighting the ear. Your favourite passage, dear father, "Era la notte allor," struck me as very beautiful, but the stanzas that I admire most, are those descriptive of Clorinda's death; they are so wonderfully imaginative, and fine. The close however does not quite please me. Tancred's 'Lamentations' are, I think, more charmingly composed than true to nature; they contain too many clever ideas and antitheses; and even the words of the hermit, which soothe him, sound more like a censure on the hermit himself. I should infallibly have killed him on the spot, if he had talked to me in such a strain.

Recently I was reading the episode of 'Armida' in a carriage, surrounded by a company of Italian actors, who were incessantly singing Rossini's "Ma trema, trema," when suddenly there recurred to my thoughts Gluck's "Vous m'allez quitter," and Rinaldo's falling asleep, and the voyage in the air—and I felt in a most melting mood. This is genuine music; thus have men felt, and thus have men spoken, and such strains can never die. I do cordially hate the present licentious style. Do not take it amiss; your motto is, Without hatred, no love,—and I did feel so moved when I thought of Gluck, and his grand embodiments.

Every evening I was in society, owing to a mad prank, which however proved very successful. I think I have invented this kind of eccentric proceeding, and may take out a patent for it, as I have already made my most agreeable acquaintances ex abrupto, without letters or introductions of any kind.

I asked by chance on my arrival at Milan the name of the Commandant, and the laquais de place named General Ertmann. I instantly thought of Beethoven's Sonata in A major, and its dedication; and as I had heard all that was good of Madame Ertmann, from those who knew her; that she was so kind, and had bestowed such loving care on Beethoven, and played herself so beautifully, I, next morning, at a suitable hour for a visit, put on a black coat, desired that the Government-house should be pointed out to me, and occupied myself on the way thither by composing some pretty speeches for the General's lady, and went on boldly.

I cannot however deny that I felt rather dismayed when I was told that the General lived in the first story, facing the street; and when I was fairly in the splendid vaulted hall, I was seized with a sudden panic, and would fain have turned back: but I could not help thinking that it was vastly provincial on my part to take fright at a vaulted hall, so I went straight up to a group of soldiers standing near, and asked an old man in a short nankeen jacket, if General Ertmann lived there, intending then to send in my name to the lady. Unluckily the man replied, "I am General Ertmann: what is your pleasure?" This was unpleasant, as I was forced to have recourse to the speech I had prepared. The General, however, did not seem particularly edified by my statement, and wished to know whom he had the honour of addressing. This also was far from agreeable, but fortunately he was acquainted with my name, and became very polite: his wife, he said was not at home, but I should find her at two o'clock, or any hour after that which might suit me.

Letters of Felix MendelssohnWhere stories live. Discover now