Safe Word: Rosé

Chapter 7

Narrator-

When Cara and Cindy emerged onto the second floor and began heading down the hallway on the right-hand side of the building, one of the first details Cara noticed about the hall was the choice of Décor. The Hallway itself contained five brown doors in total, with two doors on the right side, and three on the left. In between each door was a large space occupied by grand potted natural plants. The Hallway concluded with a large window, adorned with white sheer curtains that looked out over the East side of the habitation.

Nonetheless, of all the beautiful arrangements, the wall decorations are what truly captured Cara. The walls beheld various grayscale portraits of men and women in what Cara found to be very exposing outfits and erotic positions.

On one picture frame, there was a woman with darkened lips and a lace mask on her eyes. She was seated in a chair, her legs spread apart, her arms bound behind her back. There was a man standing behind her, and though Cara couldn't see his face or body, she saw his strong fingers wrapped around the woman's throat.

In a second frame, a woman stood with her back to the camera. She wore dark lingerie, and her legs were also spread apart, though she stood on tall sharp stilettos. In her hands she held a whip, and facing her and the camera, was a shirtless man bound to the chair and gagged which what appeared to be a ball on a leather strap.

A third photo held the memory of a woman on her knees. Her back was to the camera, and her spine was aligned with an intricate knotting design, which allowed for the binding of her wrists and her ankles. By the fourth photograph, which beheld the frozen frame of a man pinning a woman to the wall, while one hand held her neck, the other snuck up her short dark dress and cupped her thigh, while his teeth bit into her bottom lip, Cara wanted nothing more than to run out of the mansion. The last photo Cara saw just as she turned away, was that of a masculine hand digging into the flesh of the back of a woman's thigh.

Cara released a soft gasp and all but tore her eyes away from the scandalous shots. She tried to focus on the large, natural potted plants that lined the base of the walls, and after every two doors the ladies passed, Cara noted a camera. There were also cameras nested in the corners at the end of the hall.

It seemed Jason wasn't kidding about the security, Cara thought while her eyes bounced between the spying objects.

Those cameras that Cara now stared directly into allowed Jason to witness her reaction to the artwork that bedazzled the halls of the East wing of his home. He found her reactions to the photos from looking at one frame to the next, until she peeled her gaze away completely, to be interesting. And once again, the words good girl echoed in Jason's ears. He felt his right pointer finger twitched against his will, and Jason suddenly clicked the spacebar on his keyboard, switching the camera angle to another view, just so that he no longer had Cara on his screen.

Meanwhile, back in the hallway Cindy turned to the last door on her left-hand side towards the end of the hall, and ushered Cara inside the bedroom. Upon entering the chamber, Cara was surprised to find that her belongings were already on what she assumed to be her bed.

At first glance the room itself was a basic setup. It was a bit larger than what Cara was used to, and it housed two beds. There were large windows that looked out onto the green field below, and in between the two windows were two glass doors that led to a balcony. There were also two parallel doors on the opposite wall facing the beds. In between the doors, there was enough space for a dresser which matched the white beds. In the corner between the opposite wall, and the balcony door was a sitting area, comprised of a love seat, coffee table, and a television handing from the wall. Cara released a soft sigh, hoping to not appear too overwhelmed.